BOOKS
CHAPTERS IN BOOKS
“Sound Design,” a chapter in Harper, Ed: Continuum Companion to Sound in Film and Visual Media, London: The Continuum International Publishing Group Ltd., forthcoming.
SELECTED ARTICLES, INTERVIEWS AND REVIEWS
Review of A Theory of Adaptation (New York: Routledge, 2006) by Linda Hutcheon for Comparative Literature Studies, forthcoming.
"Home Theater: Mastering the Exhibition Experience" in USC Spectator, Volume 18, No. 2, Spring/Summer 1998.
"Surround Sound and Science Fiction" in USC Spectator, Volume 17, No. 2, Spring/Summer 1997.
"Audio Arabesque: New Sound Technologies and Techniques for Film, Television, and PCs--An Interview of Tomlinson Holman" in USC Spectator, Volume 17, No. 2, Spring/Summer 1997.
SELECTED CONFERENCE PAPERS AND PANELS
“Buffyoke--Fan Performance and the Tele-Musical” at Consoling Passions, Santa Barbara, California, 2008.
Co-Chair of Panel on “Contemporary Film Sound Theory” at SCMS, Philadelphia, PA, 2008.
“Sound of the Living Dead” presented at SCMS, Philadelphia, PA, 2008.
Co-Chair of Panel on “Film Sound, Film Futures” at SCMS, Chicago, Illinois, 2007.
“A Sounding of the Future” presented at SCMS, Chicago, Illinois, 2007.
Co-Chair of Panel on “Sound Surround in Cinema: Theory and Aesthetics,” at SCMS, Vancouver, BC, 2006.
“Surround Sound and Horror” presented at SCMS, Vancouver, BC, 2006.
Co-Chair of Panel on “Sound and Genre: Before and After,” at SCMS, London, 2005.
“Sound Transformations: The Horror Genre and Gestures of Change” presented at SCMS, London, 2005.
Co-Chair of Panel entitled “Listen Up!” (Sound and Technology) at SCMS, Atlanta, Georgia, 2004.
“Who’s Listening? Power, Paranoia and Portable Audio Technology,” presented at SCMS, Atlanta, Georgia, 2004.
“Sonic Speculation: The Emergence of Sound Design in Contemporary Cinema,” presented at SCMS, Minneapolis, Minnesota, 2003.