The location: the Museum of the Cathedral of Ibiza, on the top of the fortress
The view: fortress of Ibiza
Viola da gamba by Edward Lewis, London, 1687 in a room with a view
The Austrian Schools: violins, violas, violoncellos, violone or double bass
Baryton with a view...
Pardessus de viole, flämisch, ca. 1720; five-string violin by Joachim Tielke; historical flutes
The viola da gamba in Italy
16th and 17th Century
Viola da gamba by Gianbattista Grancino, Milano, 1697
Violin by Nicolò Amati and friend
The violas d'amore
The German School:Aegidius I, Aegidius II and Sebastian Kloz and Leopold Widhalm
Violas da gamba of the 17th Century
Joachim Tielke, Jakob Stainer, Nikolas Leidolff
A viola da gamba by William Turner, London, ca. 1650
Bass viola da gamba by Giovanni Paolo Maggini, Brescia, ca. 1600
A roomfull of Italian violoncellos and a double bass by Jan U. Eberle
English violas da gamba
The viola da gamba in England
A chest of viols of the 17th Century
Four treble violas da gamba, Germany, 17th and 18th C.
Christine Esser, soprano,
Orpheon Consort
Concerts in the Cathedral
Orpheon Consort
Concerts in the Cathedral
Christine Esser, soprano; José Vázquez, viola da gamba;
Vit Bebar, harpsichord
Vit Bebar, harpsichord
José Vázquez, Lúcia Krommer, violas da gamba
José Vázquez, Lúcia Krommer, violas da gamba; Jürg Trippel, harpsichord
Concerts in the Cathedral
José Vázquez, Lúcia Krommer, Margit Meckel, Christian Drechsel, Hector Castillo, viols: Vit Bebar, harpsichord
Margit Meckel, Christian Drechsel
Irena Troupová, soprano,
Vit Bebar, harpsichord
Vit Bebar, harpsichord
Ib-kids2.jpg
Ib-kids8.jpg
Ib-kids5.jpg
Course for Early Music
During a short pause in the course on performance practice
Course for Early Music, before the arrival of the photocopier
Course for Early Music
At the conservatory
Relaxing after classes
An relaxing way to learn baroque performance practice
We will return...
