Chumash Trails
 
Grandfathers & Grandmothers
    My interest in the native people of California began when I heard that my Grandfather George Stanley Cordero (Jorge Santiago) carried a card that allowed him social services for Native Americans in Santa Barbara, CA.  I soon started doing the research and sending out inquiries in August of 1999.  What started out as some sort of “small boy’s” excitement that he may be an “Indian” soon became a serious study of genealogy.  I can thank my mother, Betty for all of the information she gathered and passed along to me regarding the Corderos, Hermans, Clarks and the many other family names that take me back through the years.  From there it opened up an endless study of California, Mexico, Spain and world history and the real people that populate(d) these places.
    Yes, I eventually found the Chumash links to members of my family.  Along the way I have gathered many old stories and created a few new ones.  One of my 4th great grandfathers, Mariano Antonio Cordero came to Alta California in mid 18th century.  Gregorio and Antonio Cordero brought the Cordero name over to Turtle Island in the early 16th century.
    The Chumash people have a rich and complex living culture full of history. Their homeland ranged from San Luis Obispo to the North down to Malibu in the South, from the Channel Islands in the West to Tehachapis to the East.  I am grateful that I’ve had the opportunity to visit some of these Sacred Places.
 
 
Alder Creek
Part 3 Alder Creek
Part 1 Alder Creek
Part 2 Alder Creek
Part 4 Alder Creek
Part 5 Mutau Flats
Part 3 Mutau Flats
Part 1 Mutau Flats
Part 2 Mutau Flats
    
    Jim and I where privileged to have visited several times.  Stone pocketfuls of phosphene visions.  Rising out of the flat like the huge backbone of some half buried beast.  Running north to south the eastern face is under the eye of Toshololo. Alder Creek
   
 James Bush & myself take an adventure into the Sespe Wilderness, within the Los Padres National Forest. July 19-20, 2002.  My first time out looking for Chumash paintings.  Two long days, worth the effort.  For James it was a training mission for Mount Whitney.  We did get lost once, but retraced our steps and we where on our way again.
The CArrizo PLainS
    
    July 21st 2005 , full moon.  I had decided to drive 450 miles to the Carrizo Plains and visit the “Painted Rock”, in Spanish “La Piedra Pintada”, an isolated monolithic outcrop consisting of cemented Miocene marine sandstone. I had been looking forward to this for sometime.  Over the years I heard of the Carrizo Plain, a National Monument often called “California’s Serengeti”, a place in which the San Andreas Fault is a visible geographic force. The Carrizo Plain is also known as the “Cadillac of the San Andreas Fault system”.  So I’d done some research, mapping and Googling and ready or not I was going one on one.
    The site managed by BLM was just coming off of a seasonal closure for nesting birds of prey.  Word was that access to the corral shaped stone canvas was under review for guided tours only.
    Arriving at 9:30PM I hiked towards it as the full moon was rising.  Exploring until midnight I then headed back to where I had parked and set up my cot next to the van.  I slept until 7AM, got up and hiked back to the rock, exploring and taking photos until 11:30AM.http://3dparks.wr.usgs.gov/carrizo/index2.htmhttp://www.blm.gov/ca/bakersfield/carrizoplain/carrizoplain.htmlshapeimage_19_link_0shapeimage_19_link_1
Further REadings on the Carrizo
    The following is an excerpt from The Whetting Stone, one of the many books written by author, artist, musician and friend Theo Radic.
   “The Painted Rock on California's Carrizo Plain goes back to the time of Cortes. The legend says that a vaquero named Sequatero told rancher Archibald McAlister about his Mohave mother who fled her husband, a Mohave chief, after an adulterous affair that resulted in Sequatero's birth. She fled with the child over the wide Mohave Desert in search of the legendary Painted Rock she had heard about in tales told by her mother and grandmother. She told her young son that runners from far away Mexico came to the village near the Rock (then unpainted) to announce the arrival of Cortés. An aging seer there declared that the new arrivals were the saviors of the native people. Then came news of the murder of Moctezuma, bloodshed, rape and plunder. The people lost confidence in the old seer's prophecy.
A younger seer, seeking to establish his legitimacy, sacrificed his daughter before the gathered people in order to protect their homeland from the invaders. With this gruesome deed, he put a curse on all those who would attempt to take their homeland. He mixed the blood of his sacrificed daughter with the pigments that were used to paint his pictographic warning on La Piedra Pintada. Sequatero grew to manhood in the nearby village, and told the legend to the rancher who hired him. Whether true or not, the legend has attracted local tourists, many of whom carved their initials in the Rock to such an extent that the images are virtually destroyed today. So luring was this legend that the first photograph of the remote Painted Rock was taken in 1876, used by Kroeber in his Handbook of the Indians of California to show how it looked before destroyed by vandalism.”

Here is another interesting must read...
The Shamanic Tradition in Chumash Rock Art, William D. Hyder and Georgia Lee (c)1994 http://www.angelfire.com/sk/syukhtun/whet.htmlhttp://www.angelfire.com/sk/syukhtun/syuk.html#pictohttp://www.rain.org/campinternet/trailguides/hyderchumashshaman.htmlshapeimage_21_link_0shapeimage_21_link_1shapeimage_21_link_2
Carrizo PLain
Part 3 Carrizo PLain
Part 1 Carrizo PLain
Part 2 Carrizo PLain
Part 4 Carrizo PLain
Part 5 Carrizo PLain
Part 6