Jacqueline West
Watching the Old Man Clean the Pike
His knife slits the fish like a tough loaf.
Silver teeth slipping to the divots of knuckles,
scales catching in the creased brown skin.
Blood trails the altar of the cutting board,
sluiced to the squealing planks of the deck,
the tufts of moss, the rusting canoe on the rocks.
Its stomach rolls out like a slick satin bag.
Inside, a second fish,
swallowed whole, salt-white, color boiled away
in the deep black of the belly. With the knife’s tip
he slides it aside, its eye gazing up
like a small, stunned soul. printable
Heiligeberge
“Holy Mountain,” Heidelberg, Germany
At the top of the berg we come upon it.
Between the flat husks of two monasteries
racing to settle their skulls in the grass
a navel caves the green hilltop
where the Nazi arena stands
bare of any distinguishing symbols,
any sharp mark from Goebbel’s heel.
The low stone steps sloped from the stage
are gently blurring their hard bevels.
Grass juts from the joint of stairs,
clings in the mortar, sprouts from the gaps,
its green furls insistent as birth.
It has pushed the dust from its roots,
claimed the empty troughs of torches.
The only recent traces here
are scattered glinting bottle caps,
the dead pit of a small bonfire,
a few corks pulled and dropped on the rock.
These are the things they will unearth
an era or two removed from ours.
Moss relics of the Celts’ ringwall,
the lumpish nubs of Roman pillars,
rock roots of a nave, the grass-buried stairs,
these bottle caps thrown like wasted coins. printable