Tapestry at 3:00 a.m. in Late Autumn
Leonard Cirino
Tapestry at 3:00 a.m. in Late Autumn
Leonard Cirino
The Prize
after Tai Piao-yüan
Walking the woods at Dorris Ranch,
my sweetheart found a beauty,
but couldn’t recall her way back.
We looked and looked for a month
with no success. This December,
there it was at the base of a downed fir;
a perfect strawberry-tinted fungus.
Three a.m. in Late Autumn
after Chao Meng-fu
Tonight clouds scatter with the pink ghosts
of fallen red leaves. In this eight year drought
streams slow and water barely tumbles
from the cliffs. Chanterelles in forests,
leaf-crumble on the paths. Under spring sun
my brother’s orchard brims with pear and apple
blossoms. The plentiful creeks surround
his farm, along with a hundred mountains
thick with firs. But that is not my home.
The geese gone south, my sleepy eye darkens,
ten thousand points projecting joy and grief.
Tapestry
A tapestry without end, starlight
on the meadow, through the cedars,
among alders by the creek where
the wind sweeps shallows, an egret
stands on boulder, one leg bent, barely
balanced in the breeze. How far the path
to heaven! Maybe we will fly there
together some night of new moon.
Light Wind
after Ma Chih-yüan
Raw trees, old crows on wires
in this twelfth month of the year.
Fingerlings run downstream,
branches collect on sandy banks.
Prime ministers of poverty.
my poems dream of hard labor.
It is time to retire, to become
the fragrance of snow, a light
breeze through persimmon limbs.
Plain Clothes
after Ma
for Erik
Few teeth, bald head, one eye,
at sixty-five what’s left for me?
Wearing plain clothes and slippers
inside my room, with dog and cat close,
jazz on the stereo and a dim light,
who can hear the storm outside?
It goes on even while contemplating;
my own December sorrows
and the deep debts of my poems.
Inscription
after Yü Chi
in memory
Miracles restored, do the dead respond
to prayer? The bones say no, the ashes yes.
They never forget they arrive at home
where they have many neighbors.
On this seventh day of December
the question’s posed why certain scholars
have never found the answer?
Casting
after Yü
The boulders and logs for stream restoration
placed by helicopters in West Fork Creek
run the western boundary of my brother’s farm,
big enough to tether a mule if that’s what’s
done with such creatures. The rocks and logs
are so large one could sprawl out on them
and drop a line but it’s a spawning tributary
and steelhead fishing isn’t allowed there.
Mummies
after Yü
Mummies lacquered in their deep green,
the spines of cedars splashed
with a glaze of dew. For years to come
they will glow in the autumn months.
What other place but in these mountains,
across from this river? For no reason
these trees collect the wind’s breath,
echo the jumping sounds of rain.
No Human Voice
When the moon calls just before midnight
who is there to watch but this old man
walking the pasture with his dog? No one
but the frost that catches light, a few moles,
frogs who sing at night, the fish that never sleep,
coyotes and the neighbor’s cows.
A Flock
High in the sky, a reflection the sun makes
blown by ocean bound breezes across heaven.
Is it a nest for wayward birds or a flock
of sheep abandoned way up there,
maybe snow dispersed over the cool meadow?
In the stark night air it preens its feathers
and fills the streams with glitter. But really,
it’s just a painting by Magic Mike.
Landscape
Looking at a landscape by Magic Mike,
Erik said, I can hear the wind in the trees.
Surely Mike would have been pleased.
He gave away his paintings, or sold them
for pennies on the dollar. After he died
many who never valued him asked for paintings.
Given away, now his work is revered.
Nap
Wishing my poems had no interest in the world.
But with war, desecration, and depression,
it’s hard to remove myself. Fame and wealth are lemmings.
Napping and thinking of bustling ants, the poet’s resigned
to watch the moon crawl over eastern mountains.
Copyright 2009 Leonard Cirino