Kevin Carollo
Rejection Cherry
Some good moments, and the sonic level of your vision
peaked for me somewhere around line 6.
Regretted and hoped and thanked, now tow away
that nostalgia boomerang of penmanship. Hum along
the kind of SASE song that sailors sing, bottles traveling
between here and alee, encrypted grocery lists
for the gods of the sea. You can echo distance between
red herring ring tones and trawl for your baby all night long.
Voicemail missives like flotsam nod their heads hello.
Does it feel cheap, the first time, not quite the historic
hotel sex you dreamed of, faded wallpaper and everything?
The vague frisson, Cecily, that there might have been better
ways to learn a similar lesson? One thing is for certain:
the desk clerk of your heart seems to be sleeping it off
somewhere. He mumbles about cardamom sweaters and
disposable thumbs, my dear.
Yours are not exactly dog-eared, but creased like dry-cleaner
hemlines, catch you sniffing traces of and tamperings with
the pleated question marks hanging about the words. It does
indeed seem a dying language ago.
The scythe cuts of smaller slips of paper, leaves of graphs.
The thresher of letterhead typescript disinviting her best friend
to the party. Personal mailers rub the subatomic particles and
participles from last month’s newspapers. The new regimen now
offers exclamation points for everyone! The full-on universe
extremely awaits you with her firecracker hands.
And did you fully render your Milky Way to a scene? Did you
set it beside itself, find its hard core? Its punk rock, its total
Kerblang?! Can I tell you, Rupert, about the field of asterisks
lining the shoplifter-deep pockets of the sky!f the sky!
For that is how I once received encouragement from the
singular result of a handheld pen. The things that can only happen
once are single filing outside you, in the cold. They have been
milling about and since a longish time ago. No time to revise and
resubmit for them, and now you with no time to consider
the surefire consequences of letting some come in.