Education B.A. Theater Studies June 2004 University of California, Los Angeles ProTools Operator Certificate January 2006 DigiDesign & ProMedia Training New York, NY
 
Sunny Basham
From scratch
(no production sound)
Sound and Visual Editing Brooklyn, NY sunnyteigh@yahoo.com 703-895-9911mailto:sunnyteigh@yahoo.comshapeimage_3_link_0
Computer Skills Advanced ProTools FinalCut Pro Intermediate DVD Studio Pro Microsoft Word Adobe GoLive Adobe Photoshop Mac iLife suite Basic Microsoft Excel FileMaker Pro AutoCad AutoDesk Viz
 
Credits Mosaic Demo (film workshop demo)  Editor  Development of Demo Structure  Digitizing archived video  Selecting footage that highlights programs  Incorporating interview footage with clips Jack and The Beanstalk (Live theater- experimental Sample Based Musical)  Sound Design  Creation and Editing of Sound Effect samples  Oversee Stage Setup Making It (tv pilot)  Sound Design  Audio Clean up and EQ  Music Mix and editing  Sound Effects editing and placement  Final Mix Made in India (feature length documentary)  Sound Design  Audio Clean up and EQ  Final Mix Good Stuff (spec commercial)  Sound Design  Create entire audio from effects  Final mix The Exception to the Rulers (audiobook)  Additional Sound Editing  Digitizing and EQ of audio from archival broadcasts and sources  Mixing archival source audio with studio recorded narration Perfect Poison (feature film)  Sound Design  Clean Up of vocal tracks  Even out ambience problems  EQ and mastering Ties that Bind (short film)  Editor (on Final Cut Pro)  Sound Editor  Level adjustments  Music Supervisor  Chose and placed appropriate musical selections  Final mix Santa Train (short film)  Sound Design  Creation of sound effects  Clean up and EQ of dialog and ambience  Music Supervisor  Choice and mixing of music  Final mix  Chicano Visions (feature length documentary)  Sound Design  Mastering and EQ of audio from a variety of locations and environments  Mix down of music and dialog  Assistant Editor  Digitizing and logging footage  Compiling and logging additional photographs  Shooting one-on-one interviews with artists  Initial cutting and assembly of artist stories and supplemental material “Unbeatable” (spec commercial)  Sound Design  Create sound concept that fit client’s wants and projects needs  Gathered and placed sound effects  Collaborated with composer to fully integrate music with the sound effects Artist Descending a Staircase (radio play)  Casting and Direction of voice talent  Recording and engineering of voice tracks  Performance and recording of needed sound effects  Selection of pre-recorded sound effects  Fully assembly of voice tracks and sound effects  Final mastering of finished product http://www.batshevaguez.com/makingit.htmlhttp://brownscapeprod.com/mii/https://store.democracynow.org/index.cgi?vieworder=YES#63shapeimage_6_link_0shapeimage_6_link_1shapeimage_6_link_2
 
Companies AFB Talking Books  Studio Monitor  Monitor studio Recording  Proofread and edit audio  Coordinate client specific needs (preparing, recording, editing, distributing audio correspondence for companies) Gramercy Post  Audio Post Production Facility Assistant  Audio Editing- Assembly and Clean-up  Client Services  Studio set-up and take down  Administrative work: answering phones, researching resources and tools, running errands Harvestworks  Post Production Facility Assistant  Creation of DVDs for clients and for internal purposes  Work with clients on Final Cut Pro  Assist students with Final Cut Pro and ProTools  Administrative work: answering phones, researching resources and tools, running errands Democracy Now!  Archiving Intern  Log new and old footage into database  Restore audio of old shows to create new CD masters  Reconstruct old shows from various recordings to create new video masters  Working with a variety of media including reel-to-reel, DAT, audio cassette, miniDV and DVCAM  Occasional post-audio clean-up in emergency situations Allied Post Production  Post Sound Facility Assistant  Logging and capturing of sound effects for database  Archiving of past projects  Assist in Voice Over recording sessions UCLA Theater Department  Assistant Scene Tech  Hang/Strike lights  RF tech, mic wrangler  Scenery strike  Audio set-up and strike YBG Production  Office Production Assistant  3 month internship for school credit  Promotion and test screening of feature film  Pre-production set up of upcoming films Murex Films  Temporary Receptionist  Answer phones, accounts receivable, shipping  Maintain office and greet clients
 
Sound Design/editing
Doc.s, Shorts, etc...