Back cover of Murder on the Ol’ Bunions: LaTisha Barnhart’s bunions tell her something’s afoot as she delves deeper into the murder of her former employee, Marion Peters. When LaTisha becomes a suspect, the ante is upped, and she is determined to clear her name and find the culprit. She’s burping Mark Hamm’s bad cooking to investigate his beef with Marion. . .getting her hair styled at a high falutin’ beauty parlor to see what has Regina Rogane in a snarl. . .playing self-appointed matchmaker between the local chief and a prime suspect. . .and thinking Payton O’Mahney’s music store lease might be the reason he’s singing out of tune when discussion of Marion’s murder arises. LaTisha’s thinking she just might use the reward money to get her bunions surgically removed. But she’s got to catch the crook first.

Back cover of Murder on the Ol’ Bunions:

LaTisha Barnhart’s bunions tell her something’s afoot as she delves deeper into the murder of her former employee, Marion Peters. When LaTisha becomes a suspect, the ante is upped, and she is determined to clear her name and find the culprit.

She’s burping Mark Hamm’s bad cooking to investigate his beef with Marion. . .getting her hair styled at a high falutin’ beauty parlor to see what has Regina Rogane in a snarl. . .playing self-appointed matchmaker between the local chief and a prime suspect. . .and thinking Payton O’Mahney’s music store lease might be the reason he’s singing out of tune when discussion of Marion’s murder arises. LaTisha’s thinking she just might use the reward money to get her bunions surgically removed. But she’s got to catch the crook first.

Murder on the Ol’ Bunions
April, 2008, Barbour Publishing
Buy on Amazon. Click bookcover

Polly Dent loses grip on the treadmill and takes a fatal spill that’s ruled an accident. Helping her mother-in-law move into Bridgeton Towers Assisted Living, but the scars from LaTisha Barnhart’s surgically removed bunions tell her something’s afoot. The residents’ gossip is revealing all kinds of motives for murder. Gertrude Herrman is out looking for love in the form of Thomas Philcher’s fat wallet, and Polly’s fall eliminates her competition once and for all. Otis Payne, the venerable director of Bridgeton Towers, is over a barrel when his wife demands cash, or she’ll carry on without him. Mitzi Mullins’s penchant for rhyme puts her in direct line as perpetrator of the crime, and Sue Mie’s mistake seals Polly’s fate.