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R.P. Burnham edits The Long Story literary magazine and is a writer. He has published fiction and essays in many literary magazines. In 2005 he published two novels, On a Darkling Plain and Envious Shadows and in 2007 The Many Change and Pass (all with the Wessex Collective). Most of his fiction is set in Maine, where he was born and raised and has deep root; thematically his fiction explores the boundaries of the self and addresses the question of what our duties and responsibilities are to others. The Least Shadow of Public Thought, a book of his essays that introduce each issue of The Long Story, was published in 1996 by Juniper Press as part of its Voyages Series. He was educated at the University of Southern Maine (undergraduate) and The University of Wisconsin–Madison (graduate). He is married to Kathleen A. FitzPatrick, an associate professor of biology at Merrimack College in North Andover.
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A Few Comments
Envious Shadows
R. P. Burnham demonstrates his knack for storytelling in his novel, Envious Shadows. He keeps the reader interested in the plotline while also managing to interweave a penumbra of moral lessons about love, prejudice,and judgment in a modern context. Envious Shadows is filled with a highwit and a talent for creating relatable and realistic characters. For those looking for a strong plot with an accompanying wisdom for modern life, Envious Shadows is a must-read.
–Jesslyn Roebuck in identity theory.com web blog July 2006
Envious Shadows is a deftly crafted, engrossing contemporary novel, one of those works that is not afraid to face the grim realities of life and the cruelties of society as well as the redeeming power of love... A beautiful work that depicts life in all its grim realities, Envious Shadows is a rewarding read.
–Mayra Calvani, Bloomsbury Review
Envious Shadows is a marvelous book. It is about a black and white relationship which has strength to resist the intermittent brutality of human nature. With the lightest of hands, the essence of your personality is present on every page, leading the reader forward toward an understanding of human nature as it should be. The book never lags for a instant, and it is full of realistic details on a wide framework of topics which range from dealing with the psychological integration of half-way house residents into society, the intricacies of the game of softball, the atmosphere of pubs, the challenges facing building contractors, the mindset of the KKK, to the correct planting of roses. There isn’t a pompous moment in it and it is loaded with quiet wit, with seriousness, with irony, and through it all there shines not only a knowledge of literature but a knowledge of life. … I was very taken by your last novel but I truly believe that Envious Shadows is even better, and that is as it should be. From Shelley’s poem on the first page to Millie’s soothing advice at the end, the book is truly a living work which encompasses modern dilemmas.
–Susan Davey
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On a Darkling Plain
The literary fiction novel opens with a shocking scene: In the small town of Waska, Maine, retired professor Samuel Jellerson, while walking in the woods one day, witnesses an despicable act--a priest sexually abusing a young boy.
Jellerson thinks he recognizes the priest, but instead of notifying the authorities right away, a heavy cloud of confusion and denial falls over him, preventing him from taking action.
Within that month Jellerson decides to confront the priest and contact the police. Rumors spread quickly in a small town and soon everybody is talking about it. What compels a priest to abuse a boy? What impels a good man to keep silence? How will the boy, a musical genius, cope with such evil atrocity? How does society respond to this--with kindness and understanding, or with even worse cruelty?
On a Darkling Plain is a serious, carefully crafted, compelling novel about the dark, destructive side of human relationships, especially those between father and son. The novel also offers a tragic, almost comical view of the role of the law in society. The most interesting thing about this novel, however, is the way the author uses the priest/boy conflict to address the "real" conflict in the nove--Jellerson's painful relationship with his son, a son he has never been able to understand nor express his affection to. In this sense, and in spite of what may appear like religious overtones, the priest and boy become a metaphor for what really lies beneath. The story's subtle layers make it ideal for book clubs and group discussions. It is important to note that, in spite of its sensitive topic, there's nothing explicit in the writing that will offend readers.
Burnham's love for writing shows in each sentence. True to his style, he relies mostly on narration, depth of theme and deft characterization to bring his story across.
As in his previous novel, Burnham seems to have an inkling for controversial themes, which he handles excellently well. I highly recommend.
Armchair Interviews says: For the serious reader, On a Darkling Plain is a most rewarding and insightful read.
–Mayra Calvani, Armchair Interviews.com
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ON A DARKLING PLAIN is a dense and absorbing novel. Bravo to you for keeping so many strands of plot and character in hand and the controlling movement on the page. …I liked your variety of characters, each with his particular set of problems and concerns interacting with other characters that could sometimes alleviate woes and in the case of Jason traumatic events in a child’s life. I also liked your even-handed presentation of religion as a force that could both harm as well as help people.…Even with all the dark happenings on this darkling plain, I found the book positive in its outlook because of its holding out the real possibility of redemption and change in human behavior.
–Laurel Speer
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The Many Change and Pass
This novel explores the question of our duty to the earth, which entails this further question: how can we live a decent human life when every individual is part of the many who are transitory and intent upon selfish pursuits that give no thought to what remains after they pass. It begins with the mercury poisoning of a small, impoverished boy and follows Chris Andrews, a ecological activist, Myron Seavey, a progressive librarian, and a dozen other characters as they deal with the implications of this poisoning.
…the soup kitchen scene is a gem, real literature. The Mayan temple feels right, the poetry that sits in the middle. Ridlon, Nevins…ever notice how Rush Limbaugh, Karl Rove, Dick Cheney and Rumsfeld are enough to send one back to belief in physiognamy, clones?…Sometimes philosophical and social essay are handled self-consciously in the mouths of characters, but that energy doesn't really impede what is a strenuos, serious book. Clear charatacters, up and down the social scale, well differentiated,work in interesting relations. I love the poetry of the Mayan temple, a testmony to the kind of love that might save our species. There is a clear sense of people who can and cannot afford to think much about their lives, so Chris’ demon is always compromised by normal standards... A perfect, quiet ending.
–Paul Nelson
