Paula Bär-Giese soprano
Hans Meijer lute
Paula Bär-Giese soprano
Hans Meijer lute
Recorded at Castle Radboud Medemblik
The Netherlands
At the end of the 13th century, Count Floris V of Holland (1256-1296) ordered the construction of a series of castles to control the Westfrisian population. Radboud Castle is the only one remaining of those castles. Of this coercion castle only 2 residential wings, 2 square and one round tower are still standing. When, between 1573 and 1578, the town of Medemblik built citywalls the castle lost its function and gradually fell into decay. From 1661 till 1734 the great hall at the southwestern side was used as a Reformed church and the square tower at the west side was rebuild as a belltower.
Alas, my love, you do me wrong
To cast me off discourteously
For I have loved you well and long
Delighting in your company.
Greensleeves was all my joy
Greensleeves was my delight
Greensleeves was my heart of gold
And who but my lady Greensleeves
Your vows you’ve broken, like my heart
Oh, why did you so enrapture me
Now I remain in a world apart
But my heart remains in captivity
Greensleeves was all my joy
Greensleeves was my delight
Greensleeves was my heart of gold
And who but my lady Greensleeves.
I have been ready at your hand,
To grant whatever you would crave,
I have both wagered life and land,
Your love and good-will for to have.
Greensleeves was all my joy
Greensleeves was my delight
Greensleeves was my heart of gold
And who but my lady Greensleeves.
If you intend thus to disdain,
It does the more enrapture me,
And even so, I still remain
A lover in captivity.
Greensleeves was all my joy
Greensleeves was my delight
Greensleeves was my heart of gold
And who but my lady Greensleeves.
Ah, Greensleeves, now farewell, adieu,
To God I pray to prosper thee,
For I am still thy lover true,
Come once again and love me.
Greensleeves was all my joy
Greensleeves was my delight
Greensleeves was my heart of gold
And who but my lady Greensleeves.
GREENSLEEVES
Darling,
Though I have scant leisure, yet, remembering my promise, I thought it convenient to certify you briefly in what case our affairs stand. As touching a lodging for you, we have got one by my lord cardinal's means, the like or hire of which could not have been found hereabouts for all causes, as this bearer shall more show you. As touching our other affairs, I assure you there can be no more done, nor more diligence used, nor all manner of dangers both foreseen and provided for, so that I trust it shall be hereafter to both our comforts, the specialties whereof were both too long to be written, and hardly by messenger to be declared. Wherefore, till your repair hither, I keep something in store, trusting it shall not be long to; for I have caused my lord, your father, to make his provisions with speed; and thus, for lack of time, darling, I make an end of my letter, written with the hand of him which I would were yours.
H.R.
Greensleeves
Anonymous setting from the Ballet Lute book, which is probably the earliest known setting of the tune, and Francis Cutting's (1571 - 1596) set of variations upon it.
Handsome, gifted and recently married to Catherine of Aragon, King Henry VIII was the envy of Europe when he penned 35 royal compositions in the early years of his long and turbulent reign. (Thirty-five Compositions Ref: E1801 The complete secular works of King Henry VIII consisting of partsongs and instrumental consorts. Publisher Stainer & Bell)
Truly a Renaissance prince, he was also a gifted composer who excelled in portraying the pleasures of courtly life through words and music. His daughter, Elizabeth, inherited his gifts, and was a keen dancer and an excellent performer on the virginals.
"Greensleeves" is a traditional English folk song and tune, basically a ground of the form called a romanesca.
A widely-believed (but completely unproven) legend is that it was composed by King Henry VIII of England (1491-1547) for his lover and future queen consort Anne Boleyn. Anne, the youngest daughter of Thomas Boleyn, 1st Earl of Wiltshire, rejected Henry's attempts to seduce her. This rejection is apparently referred to in the song, when the writer's love "cast me off discourteously." It is not known if the legend is true, but the song is still commonly associated with Boleyn in the public mind.