Articles by
Mark Woods
Archive
 
A Schematic for Composition
Saturday, February 25, 2006
 
Blurring the Lines of Production
 A post-modern look at the three changing stages of production.
Copyright Mark Woods Director of Photography
November, 2001
 
Production Globalization & Other Spins on the New Millenium
 
Copyright Mark Woods Director of Photography
February, 2000
 
Future Shock
The Digital Revolution –
Let’s See What Survives the Next 25 Years
By Mark Woods Director of Photography ©2000
 
March, 2000
 
The Future of Cinema: A Real World Progress Report
Some Thoughts about the 1999 SMPTE/USC Seminar
 
Copyright Mark Woods Director of Photography
July, 1999
 
Protecting Your Vision Part I
The Frame Leader
Mark Woods Director of Photography
April, 1999
 
Finger Painting With Light -- Reel Time “Plug-Ins”
Copyright Mark Woods
 
June, 1998
 
Formats, Fields, and Standards
Some Encounters with Super 35 & Other Thoughts
Copyright 1998 Mark Woods Director of Photography
May, 1998
 
From Candlelight to Daylight
 
By Mark Woods Director of Photography
 
December, 1997
 
The Arri Varicon & Panavision’s PanaFlasher
November, 1997
 
How To Effectively Use a Gray Card
The definitive discussion of how to use the 18% Gray Card, and why it’s so important for the Cinematographer to communicate with the lab.
Monday, September 1, 1997
 
Digital TV -- Business As Usual
July, 1997
 
CalColor – Calibrated Color Gels for Lights
Copyright Mark Woods – Director of Photography
 
June, 1996
 
L.A.D. Testing Procedure An Update©
May, 1996