A Schematic for Composition
Saturday, February 25, 2006
Blurring the Lines of Production
A post-modern look at the three changing stages of production.
Copyright Mark Woods Director of Photography
November, 2001
Production Globalization & Other Spins on the New Millenium
Copyright Mark Woods Director of Photography
February, 2000
Future Shock
The Digital Revolution –
Let’s See What Survives the Next 25 Years
By Mark Woods Director of Photography ©2000
March, 2000
The Future of Cinema: A Real World Progress Report
Some Thoughts about the 1999 SMPTE/USC Seminar
Copyright Mark Woods Director of Photography
July, 1999
Protecting Your Vision Part I
The Frame Leader
Mark Woods Director of Photography
April, 1999
Finger Painting With Light -- Reel Time “Plug-Ins”
Copyright Mark Woods
June, 1998
Formats, Fields, and Standards
Some Encounters with Super 35 & Other Thoughts
Copyright 1998 Mark Woods Director of Photography
May, 1998
From Candlelight to Daylight
By Mark Woods Director of Photography
December, 1997
The Arri Varicon & Panavision’s PanaFlasher
November, 1997
How To Effectively Use a Gray Card
The definitive discussion of how to use the 18% Gray Card, and why it’s so important for the Cinematographer to communicate with the lab.
Monday, September 1, 1997
Digital TV -- Business As Usual
July, 1997
CalColor – Calibrated Color Gels for Lights
Copyright Mark Woods – Director of Photography
June, 1996
L.A.D. Testing Procedure An Update©
May, 1996