theOtheA content is derived out of formal separation of the meaning of the written theoretical texts (a chain of signifiers in the semantic progression) and its deconstruction into metric elements (rhythm), vocal qualities (pitched material, voices), shapes of letters and  typographies (video, computer graphic)) produced out of text - speech - talking gestures which are being processed by the formal codified matrix.

theOtheA produces oponents as an executive algorithm of polarity of Orpheus and Euridica, Romeo and Juliet, Paleas and Melisande, art and theory, body and soul, mind and spirit, analog and digital, real and virtual, abstraction and action. It is executed as self-conducted organism playing with bodies, voices, gestures, light and sound during the limited time-frame of the stage action. It exists as a permanent symposia and dislocated working lab before and after stage appearance.

Misko Suvakovic - storytelling, theoretical narration, Marko Kosnik - concept, live video, Ulrike Gabriel - live computer graphics,  Margrit Riebben - drums, electronic, small instruments, Dirk Bruinsma - soprano sax, electronics, Andreas Findeisen - philosophical interlinking, Monika Glahn - internet station - workshop

Developed and performed in the frame of symposia “Towards new theatre in South-eastern Europe”, SKC Belgrade, september 2001