Lizabeth Eva Rossof’s  (b1973, USA) artwork is about power.  Through her practice she examines the dissemination of personal, political, economic, and sexual power and liberty in the digital age. These subjects are informed by data (factual and untrue, evidenced and unsubstantiated) gathered from the Internet. Her inquiries are performative research projects and experiments in investigation. The outcomes of these 'performances' are most often rendered using commercial media (photography, poster-printing, video) and outsourced fabrication modes such as police drawing and ‘professional painting from photos’ by overseas artisans. Her processes of image-making question notions of authorship, authenticity, production, and art-as-an-object property and/or intellectual property. The core of her artwork is founded on performance, intervention, and satirical espionage (More...)