Lizabeth Eva Rossof’s  (b 1973, USA) work responds to the dissemination of individual political, economic, and sexual power within freedoms of the digital age. Her artworks are experiments; they are research projects and investigations. When the outcomes of her work are displayed, they are most often objects that have been rendered using common and not-so-common commercially available media (Photography, poster-printing, video, police drawing and ‘professional painting from your photos’ by overseas craftspeople). Lizabeth’s practice, however, can be viewed as public happenings, performance, intervention and satirical espionage.