The focal point of the concert was “nkScape”, a work of musical and visual “slow-motion” with a time flow of-its-own that takes us back to our poetic and aesthetic being by only a few well-chosen and delicately elaborated musical metaphors. (Zorica Premate, Radio Belgrade, II Program, 2007) We heard the most delicate, introspective world of Katarina Miljkovic, who’s Crescent, a pure apotheosis of a breath, was followed by the nkScape, a refined, hypnotic dream of reflections of natural light in a vast, electric darkness, revealed by an unusual musical gift of the pianist Nada Kolundzija. (Zorica Kojic, Danas, 2007) “…The result is a dreamy piece, along the lines of Feldman or Brown... It is entirely captivating. This is an excellent disc (From Time To Time), on which Katarina Miljkovic proves to be both a penetrating theorist and a sensitive artist.” (Walter Horn, Signal to Noise, 2003) “… (“Forest”) is a haunting, minimal work for well selected moments of quiet reflection to occasional odd outbursts. At thirty minutes long, quite focused, with minimal piano and percussion which moves through space slowly, telling a long, fascinating story. … Spectacular and a bit unnerving. “ (Downtown Music Gallery, 2003) “...  in the second half of the programme, the orchestra revealed its Yugoslav strengths in a superb performance of Katarina Miljkovic's Rondo. This young Serbian composer uses post-modern concepts, full of pulsing rhythms and snarling chords."  (Evelyn Armitstead, Brecon & Radw Express, March 25, 1998, Wales) "These additional strands and overlappings were also prominent in Katarina Miljkovic's Rondo, a piece of diverting post-modernism by the 40-year-old Serbian composer who deserves to be more frequently heard."  (Nigel Jarret, Abergavenny Chronicle, April 9, 1998, Wales) “In the past week the orchestra performed in Moscow and St. Petersburg in the most elite concert halls of these cities… Moscow audience received “Rondo” by Katarina Miljkovic with a great excitement ...” (M.J., Belgrade Daily News “Politika”, Jun 17, 1996) “Glowing intuition of Katarina Miljkovic’s being, using music metaphors, transposes the common, every-day music, into an expression that creates fantastic new worlds, rich, unexpectedly and irresistibly communicative and filled by a specific charm and enthusiasm of youth…. Unpretentious, this music with a constant pulse and witty solutions marcs the important moment in the music of 80s, the generation Katarina Miljkovic belongs to.”  (Zorica Premate, Yougoconcert, 1996) “…In the generation of young music authors who impose the new music streams characteristic of their own time, particularly using simplicity to oppose complexity of the contemporary life, Katarina Miljkovic, distinguished herself as an outstanding author who already with her graduating composition the same as with following works established the reputation of a talented and inventive artist...” (Yugoconcert, BEMUS, 1996) “...Sequence 6, for soprano-saxophone and prepared piano, emerged as the best piece performed, maybe because of the masterful compositional procedure which by the limited means of expression created an authentic atmosphere and formal cohesion. This piece made a great impression because of the sophisticated art-world of the author Katarina Miljkovic who succeeded in unification of the clarity, with unmistaken feeling for a poetic quality, and symbols of lyric expression in music.” (Zorica Premate, Radio Belgrade, 1989) “The work Blue Space, for an ethereal instrumental ensemble is a message sent by Katarina Miljkovic: “ When you take off the ground and fly, you can happen to get into blue space. Then be calm and let yourself floating half asleep. Carefully observe mild blending of shades until you become a part of the blue space. Then, something will happen. Listen. Let that carry you…” (Slobodan Atanackovic, Radio Belgrade, 1989) “We could hear and confirm again… excitement and outstanding emotional honesty in the new voices of women composers, such as singing and dreaming in K. Miljkovic’s Blue Space…” (Milena Pesic, Belgrade Daily News “Politika”, 1989)