Karen grew up on the South Side of Chicago and moved to Hawaii (via San Francisco, aka “the hippie years”) in 1979.  While getting a degree in Music Performance from the University of Hawaii she was introduced to the theatre when she was asked to compose and perform the music for a university production. She later toured with the show, Song for  A Nisei Fisherman, by Philip Kan Gotanda, on Kauai, Maui and the Big Island with a Kumu Kahua production.

Beginning in the early 80’s Karen worked in industrial theatre and special events, and in the 90’s was running a business with her husband providing any or all aspects of event decor.  She designed, built, and/or painted for clients including Sony Life, NTT ((Japan), Smith Klein, Sun Micro, and BMW,

Painting as a specialty began with an apprenticeship with Tempe Denzer (Royal Academy of London trained artist, and former Hawaii Opera Theatre scenic).  She began scene painting in the 90’s and attended summer training at Cobalt Studios in White Lake, New York in 1997.  In the mid nineties she fell into designing sets for a small Windward Oahu theatre, and has continued to grow and refine her design and painting abilities through work in local television, commercials and theatre. 

Since 1999 she has been building, designing and painting sets for Manoa Valley Theatre, Hawaii Pacific University Theatre and others, as well as freelancing in prop making and scenic work in TV and movies.

Karen began working as a referral with IATSE local 665 in the mid -nineties, and became a full member in 2007.  This has allowed her the opportunity to work on projects such as LOST, and most recently as the Hawaii scenic for Julie Taymor’s, The Tempest, due out in 2009.  (No pictures... not allowed.)