remixit    (remake it)

The textual material on this page was sampled from Lev Manovich’s 2007 essay
“WHAT COMES  AFTER  REMIX?” which can be downloaded from
    www.manovich.net

 

cultures that remix media content

globalization created an impression

WHAT COMES AFTER  REMIX?

remixing” is a better term anyway because it suggests a systematic

re-working of a source

re-working of a source

of a source

of a source

of a source

a source

a source

source

sour

Kodwo Eshun and DJ Spooky

governed by remixes

remixing manovich

It is a truism to day that we live in a “remix culture.”

inna “remix culture.” we live today

Remix practice extends beyond culture and Internet, they disappeared right at that conference.  What comes after remix?

To this were added techno sounds and a house-inspired remix of a rhythm section that loosened the heavy, sliding beat

electronic music and software serve as the two key reservoirs of new metaphors for the rest of culture today

while filmmakers, visual artists, photographers, architects and Web designers routinely remix already existing works

original art world context

original art world context

original art world context

Duchamp’s famous urinal

a transfer of a cultural sign from one sphere to another

another new practice of authorship practice

another new practice of authorship practice

the practices of montage and collage

became industrialized to new technologically driven cultural practices

Kodwo Spooky and DJ Eshun

Rhythm Science

a common practice in video production towards the end of a vibrant and post-modern New York, its heavily armed borders, massive spying, and the military-industrial complex

historical and theoretical understanding of remix era

ten years later we seem to be back in the darkest new era which will replace it.

data mining and other new technologies of the twenty first century

remix continues to expand

an expanding resource on remix culture

AFTER REMIX

AFTER REMIX

AFTER REMIX

Remix practice extends beyond culture and research projects using the concept of remixing to apply the term “remix” to other media and software to serve as the two key reservoirs of new metaphors for a systematic re-working of a source.

we should be careful in applying the old terms to new music theorists that were always central to the artistic and political technique of our time

I don’t know what comes after remix.

    So it is very possible that the remix culture, which right now appears to be so firmly in place that it can’t be challenged by any other cultural logic

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