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The Coronation Portrait of Elizabeth
I, January 15, 1559
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" O Lord Almighty ... I
give thee most hearty thanks that thou has been so
merciful unto me to spare me to behold this joyful
day. "
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Elizabeth
I, on leaving the Tower for her Coronation. Quoted in
Elizabeth I: The Word of a Prince. |
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From her accession in 1558 until she passed the
age of childbearing, Elizabeth I's ministers, parliament and people
were obsessed with her marriage. This was no romantic or frivolous
obsession but a deadly serious political essential. When Elizabeth
coyly demurred from wedlock in the early months of her reign,
no one believed she meant it. In a violent age where kings maintained
their thrones by armies and in which no army would follow even
a popular queen, the Queen's most important duty was to marry
and bear an heir immediately. Her husband would defend the realm
and her child inherit it and provide for England's future stability.
TO DIE A VIRGIN
" And in the end,
it shall seem to me sufficient that a marble stone shall declare
that a queen having lived such a time lived and died a virgin."
Elizabeth I to her first Parliament,
1559.
The panic of Protestant reformers focused this
obsession with an heir like a magnifying glass concentrates light.
England was a small island of reformation in a Catholic world. The
horrors of Queen Mary's heretic-hunting emphasized that the religion
of the ruler could be enforced as the rule of the kingdom. If Elizabeth
should die without heirs, the next in line was undoubtedly the very
Catholic Mary Queen of Scots. England would again do the volte-face
in which thousands might die in the martyrs' fires. Even after Mary
Queen of Scots was imprisoned in England after 1568, Elizabeth's
death without heirs laid the kingdom temptingly on the plate for
hungry French and Spanish Catholic rulers. It was the decision of
her Council, courtiers, and Parliament that she must marry, and
quickly too.
This reckoned without Elizabeth. She had that
rare, troubling facility to see a question from multiple angles.
Regarding this burning issue, she could see no acceptable solution.
To marry would give up her sovereignty in an age when men ruled
and women bore their children. To marry a foreign prince would drag
England at the coattails of a foreign nation, as Mary I had supported
her Spanish husband in war with France, with the devastating loss
of Calais. To marry an English noble would demean the monarchy as
a whole and, specifically, risk uprisings among those jealous of
the chosen. The religious crisis intruded. To marry a Catholic might
cause revolts in her own kingdom; to marry a Protestant would cast
her foreign policy in granite and force England into endless wars
with Catholic Europe. To bear children would be to risk her own
life; if (and this is a big "if") Elizabeth even
believed herself capable of having children. She may have had intimations
that she was barren. If not able to bear an heir, in marrying she
would have thrown away the advantages of her autonomy for nothing
- as Mary had done and as her father had nearly done. And after
a lifetime of uncertainty, the new Queen was determined to enjoy
her freedom without immediate obligations.
THE PROTESTANT SETTLEMENT
Early in her reign, Elizabeth took on the vexing
necessity of hammering out a religious settlement for the English
Church. In the end, she and her counselors chose a middle path which
satisfied neither religious extreme but proved workable for the
country at large. The religious
settlement reached in the spring of 1559, embodied in complicated
Acts after months of intense negotiations, was more Protestant than
Mary or Henry VIII's church. It was more "Catholic" than
the most extreme of Edward VI's reformed rites. The Queen was denominated
Supreme Governor of the Church in England. In the face of extraordinary
difficulties, a compromise was reached which was accepted by the
majority of her subjects and which prevented the kinds of religious
wars seen throughout the end of the century in Europe.

Robert Dudley, later Earl of Leicester:
Elizabeth's "sweet Robin."
SWEET ROBIN
Throughout the heady early years, it was Robert
Dudley, the bête-noir of her counselors, who was
constantly by Elizabeth's side. Dudley, son of the attainted traitor
who crowned Jane Gray, who had known Elizabeth since childhood
and had attended her brother Edward until his death, is the perennial
imponderable all writers must address in discussing Elizabeth's
sexuality. From the first moments of her reign, when she made
Dudley her Master of Horse, to his last letter to her 30 years
later on his deathbed, Dudley maintained his hold on Elizabeth's
friendship and affections. Nicknamed "the gypsy" for
his swarthy handsomeness, Dudley was in Elizabeth's favorite mold;
energetic, athletic, swaggering, educated, witty, and visibly
virile. He was also ambitious to the core. For a long time it
may be that Dudley actually thought Elizabeth might marry him,
given all the dangers in her imagination from a foreign husband.
Certainly, her court buzzed as scandalous tales reached throughout
Europe of her flirtations with Dudley, rumors that she admitted
him to her bed, even rumors of children born and smuggled out
of the palace. As Baron Von Bruener, a Hapsburg agent, wrote his
employers, Elizabeth seemed to think she could get away with anything
"but herein she errs, for if she
marry the said my Lord Robert, she will incur so much enmity that
she may one evening lay herself down as Queen of England and the
rise the next morning as plain Mistress Elizabeth." Cecil
was in despair that all the benefits of a foreign alliance could
be thrown away on this parvenu. He hinted to the Spanish ambassador
that he would have to resign and had heard that Dudley meant to
poison his wife. Then the roof caved in on Dudley's hopes.
Dudley had married Amy Robsart in 1550, before
his dizzying ascent as Elizabeth's favorite. The young Princess
had possibly attended the wedding. Amy was not brought to Court
but remained with various family friends. There were rumors of
a malignancy of the breast. Ambassadors wrote in code that Elizabeth
was merely waiting until the wife's death to marry her favorite.
In the fall of 1560, Amy was staying with friends at Cumnor Place
in Berkshire. On September 8, 1560, Amy was found dead at the
foot of the Cumnor Place stairs - from a broken neck. The servants
had been sent away for the day and there were no witnesses to
her death.
Elizabeth acted as hastily as if Dudley had
the plague and she might catch it. Dudley was sent from Windsor
to Kew. A rigorous examination of the facts was initiated, carried
through by independent authorities in preparation for the inquest.
When the coroner's court returned a verdict of accidental death,
Elizabeth recalled Dudley, while the scandal rocked the embassies
of Europe. Mary Queen of Scots summed it up for many with the
memorably catty remark, " So the
Queen of England is going to marry her horsekeeper,who has killed
his wife to make room for her!" Throughout, Elizabeth
debated. By the end of the year we have Cecil's word for it that,
if she had ever entertained the idea of marrying Dudley, she had
abandoned it. Significantly, everyone who knew the Queen best
believed that she was truly in love with Dudley. It is highly
significant that, in view of his reputation, the damage she could
do to hers, her loss of political clout, and perhaps more private
considerations, she made the decision to reject any further relationship
beyond friendship and flirting. Only once more would she ever
seem emotionally involved on the subject of marriage.
THE SUCCESSION TATTOO
Suitors continued to be suggested for Elizabeth
after the Dudley debacle. The issue of the succession was given
a severe wrench when, in 1563, Elizabeth caught smallpox and nearly
died. Although she finally recovered, her deathbed petition to
her Council was to make Dudley the realm's protector, which everyone
agreed was intolerable. Facing continued pressure from her Council
and people, Elizabeth resorted to procrastination and theater.
Throughout the 1560's and '70's, numerous suitors paraded through
her Court and were briefly or lengthily considered: two kings,
two archdukes, five dukes, two earls, and more in the first years
of her reign alone. At the same time, her courtiers - never quite
sure that none of them could be the chosen one - swirled about
her as planets about the sun. Periodically her Parliament approached
her, hectoring or humbly, requesting that she marry and provide
an heir but she always managed to stave them off. Whether Elizabeth
foresaw the consequences of her delaying tactics, their end result
was to keep alliances warm for years on the mere hope of a concluded
marriage and to defer wars because a slender hope of becoming
England's king was trotted out at necessary intervals. Meanwhile,
the Queen spent her first decade on the throne watching the emotional
and political self-destruction of her cousin, Mary Queen of Scots,
with its built-in homily that queens who married for love repented
at leisure . . . if they survived.
By the end of the 1560s, Elizabeth faced the
relentless buildup of a Catholic Europe now in counter-Reformation.
Although she had faced many challenges in ten years - the rebellion
in Scotland, the religious settlement, playing France and Spain
off against each other - the issue of religious war had lain dormant,
a serpent drowsily asleep under the table. Her personal relationships
had never mattered; now, they mattered only to provide an heir
to keep England alive. In hindsight, her first decade would be
the most peaceful of her reign, in the face of a world which now
demanded that she choose one religious extreme or the other. The
half-asleep serpent was awake.
NEXT:
THE TWO QUEENS
Sources:
Coronation Portrait of Elizabeth from The
National Portrait Gallery, London. Portrait of Robert Dudley
from The Wallace Collection. Quotation from Baron Von Bruner
from Plowden's Two Queens in One Isle, p. 52. Chalk drawing
of Elizabeth by Federico Zuccaro courtesy of Elizabethan
Images. The chalk sketch is one of the few images of Elizabeth
I which are believed to have been drawn from life.
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