|

Roman Bedroom, Imperial period,
Metropolitan Museum of Art
|
| |
"Claudia Severa to her
friend Lepidina, greetings. On the third day before
the Ides of September, sister, I cordially invite
you to be sure to come to us for the day of the
celebration of my birthday; if you come the day
would bring me greater pleasure because of your
presence. Please give my greetings to your [husband]
Cerialis. My Aelius and my little son send greetings.
"
|
|
| |
Vindolanda tablet,
2nd century, A.D. [Britain]. Quoted in Women's
Life in Greece & Rome, Lefkowitz and Fant, 205. |
|
|
|
It was a Roman tradition that the natural order
required the spheres of men and women to remain distinct; the
man was more suited to labor outside of the family sphere, the
woman, within. In many ways, this tradition gave to women dominion
over the spiritual heart of both house and family. The center
of the Roman world in every psychological and realistic sense
was the domus, the dwelling place for family and daily
life. Women of ancient Rome did not immure themselves in a sheltered,
segregated area of their homes, as Greek women did, unable to
participate in the business and social lives of their husbands,
brothers, fathers; rather, the Roman home was a public structure,
where clients visited, extended families were raised, business
was conducted, children were born, and parents honored in death.
The lares and penates, the familial gods, had their
shrine there; so every prominent family also kept the cabinet
of their notable ancestors' images, the lifelike reproductions
of forbears that they were on earth to emulate and, if possible,
to surpass.
 It
is hard for us to understand the vibrancy of a Roman home and the
sense that it was the emotional center in the extended, immortal
life of a family. Women had dominion in the domestic sphere to order
the lives of their children and slaves; although their influence
outside the domus had to be refracted through a man's world,
inside they were largely independent within their means. It could
be said that the woman of the house was its spiritual and moral
guardian and its domus her primary temple. But what were
her emotional signposts about the all-important realities of husband
and children?
Other web sites provide excellent information on what women in
Rome's long history wore, ate, the kinds of parties and receptions
they gave, how fashions changed over time, what books they read
and, if working women, what occupations they undertook when both
parents had to work. This chapter will seek, rather, to outline
some summary attitudes of a Roman woman's inner or emotional life
as defined by her culture. See the bibliography under "Reading
and Links" for further reading.
Love in the Ancient World
Up until remarkably recently in Western history, the emotion of
male-female love was viewed as, at best, pleasant and, at worst,
dangerous when it came to marriage and family. It was irrelevant
to the true purpose of marriage, which was to continue and enhance
the prestige of the family. This makes it difficult to understand
the values of a Roman women, raised from birth that emotional self-discipline
was the most essential Roman virtue. In all the centuries of Rome's
history it was the rare exception when a woman was permitted to
marry for love (particularly in elite families) and the overwhelming
generality that she married at the direction of her family for its
own purposes. Mutual understanding between husband and wife was
considered pleasant but not essential.
With marriage and children considered largely as a business proposition
in both poor and rich spheres, Roman literature as written by men
is replete with complaints about women; what the women thought of
their men has not come down to us. Plautus, the marvelous comic
playwright from the second century BC, wrote endless satires upon
the difficulties men had with their wives, echoed by Cato the Elder
in a darker vein when he railed at the disguised attempts of women
to rule men. It was a foolish man who, loving or lusting after his
wife, relegated his authority to her. Women in such plays were considered
childish, frivolous, spendthrift, and manipulative; a man indulged
them at his peril:
|
|
" For he that is in love,
soon as ever he has been smitten with the kisses of
the object that he loves, forthwith his substance
vanishes out of doors and melts away. "Give me this
thing, my honey, if you love me, if you possibly can."
And then this gudgeon says: "O apple of my eye, be
it so: both that shall be given you, and still more,
if you wish it to be given." Then does she strike
while he is wavering; and now she begs for more. Not
enough is this evil, unless there is still something
more--what to eat, what to drink. A thing that creates
a further expense, the favor of a night is granted;
a whole family is then introduced for her--a wardrobe-woman,
a perfume-keeper, a cofferer, fan-bearers, sandal-bearers,
singing-girls, casket-keepers, messengers, news-carriers,
so many wasters of his bread and substance. The lover
himself, while to them he is complaisant, becomes
a beggar. "
|
|
| |
Plautus, The
Pot of Gold, 2.1.
The
Perseus Project. |
|
|
|
Thus in 100 BC, a Roman censor could say to an assembly of citizens,
"'...marriage, as we all know, is
a source of trouble. Nevertheless, one must marry, out of civic
duty'...marriage was but one of a life's acts, and the wife was
but one of the elements of a household, which also included children,
freedmen, clients, and slaves." A History of Private
Life, 38. Public affection between husband and wife was so frowned
upon that Cato the Censor could expel a man from the Senate merely
because he kissed his wife in front of his daughter in broad daylight.
However, it was socially approved that a man make an attempt to
be kind: it was meritorious to be "a
good neighbor, amiable host, kind to his wife, and lenient to his
slave..." Horace. Juvenal, however, could still rail
in the established fashion against a friend who'd decided to marry:
Why endure such bitch tyranny
when rope's available
By the fathom, when all those dizzying top-floor windows
Are open for you, when there are bridges handy
To jump from? Supposing none of these exits catches
Your fancy, isn't it better to sleep with a pretty boy?
Boys don't quarrel all night, or nag you for little presents
While they're on the job, or complain that you don't come
Up to their expectations, or demand more gasping passion.
Juvenal, Satire VI.

Roman marriages always held an awareness of
the power of the paterfamilias over his wife and children.
Roman law and custom gave him unlimited powers to discipline his
household as he saw fit. In a Roman domus the reality was
that the woman may have embodied in moral authority but the man
alone held the power. This dynamic must have created a ongoing tension
between man and wife as well as father and children.
During the increase in wealth of the 1st century BC with its concomitant
political turbulence, a trend is evident to rehabilitate love, or
at least to make it slightly more respectable to admit suffering
its pangs. Hitherto, the idea of a man languishing for his beloved
would be viewed as frankly effete or (more probably) decadent and
Greek. The poems of Catullus are a dramatic departure from anything
previously written in Roman culture. The naked baring of emotional
wounds, however sardonically expressed, was new. Catullus' agonies
over his Lesbia's infidelities,
his passionate attachment and disillusionment, changed the standard
for what could now be discussed in literature. It was in the late
first century BC, with the increasing acceptance of male and female
individuality, that Sulpicia, niece of a wealthy patron of letters,
could write, with astonishingly simplicity,
|
| |
" At last. It's come. Love,
the kind that veiling will give me reputation more
than showing my soul naked to someone.
I prayed to Aphrodite in Latin, in poems;
she brought him, snuggled him into my bosom.
Venus has kept her promises:
let her tell the story of my happiness,
in case some woman will be said
not to have had her share.
I would not want to trust
anything to tablets, signed and sealed,
so no one reads me
before my love--
but indiscretion has its charms;
it's boring
to fit one's face to reputation.
May I be said to be
a worthy lover for a worthy love. "
|
|
| |
Sulpicia, Six
Poems,1, trans. Lee Pearcy, courtesy Diotima. |
|
|
|
Sulpicia's six poems are the only poetry written
by a woman in Roman history which has survived. It is interesting
that Sulpicia is determined to hide her feelings from her friends
and family.
Sexuality in Ancient Rome
In addition to their reserved attitude towards
love, the Romans did not equate, as the Christians later did, sex
and marriage with love. Sexuality in pagan Rome was a natural drive
like hunger or scratching an itch; brothels and prostitutes existed
in every community, the god Priapus was visible everywhere from
frescoes to clay lamps, and sexual desire for a man or woman could
include, but did not require, emotional attachment. The primary
importance in a woman's fidelity was the maintenance of a "pure"
family bloodline. Interestingly, the Romans were apparently without
that western sensitivity of the cuckold as a figure of ridicule:
to have an unfaithful wife was embarrassing because it proved you
had lost control over her actions, rather than because the husband
had been found wanting. One of the few human frailties discernible
in Augustus Caesar is the agreement by historians that he fell in
lust with the beautiful Livia,
pregnant with her husband's child, and did whatever was necessary
to marry and possess her. However, in Augustus' case, it appears
that lust and love were conjoined, unlike his unfortunate daughter,
Julia. Ironically, it was Augustus' legislation on marriage and
children which attempted to force the genie of Roman sexuality outside
of marriage back into the cultural bottle, without notable success.
Yet in the course of a length marriage and the birth (and, frequently,
death) of children, deep emotional attachments inevitably grew and
it became permissible to express them, especially after the death
of a partner. Perhaps the increasing availability and acceptability
of divorce beginning in the 1st century BC removed some of the pressures
from unhappy marriages. The "Laudatio Turiae," the lengthy
funerary inscription dating from that period, is a tender tribute
from a grief-stricken husband to his long-cherished wife in which
marital love and mutual fidelity is exalted for every passersby
to see:
|
| |
" (27) Marriages as long
as ours are rare, marriages that are ended by death
and not broken by divorce. For we were fortunate enough
to see our marriage last without disharmony for fully
40 years. I wish that our long union had come to its
final end through something that had befallen me instead
of you; it would have been more just if I as the older
partner had had to yield to fate through such an event.
(30) Why should I mention your domestic virtues: your
loyalty, obedience, affability, reasonableness, industry
in working wool, religion without superstition, sobriety
of attire, modesty of appearance? Why dwell on your
love for your relatives, your devotion to your family?
You have shown the same attention to my mother as
you did to your own parents, and have taken care to
secure an equally peaceful life for her as you did
for your own people, and you have innumerable other
merits in common with all married women who care for
their good name."
|
|
| |
Unknown author,
"Laudatio Turiae", 25-30. Trans. E. Wistrand.
Courtesy of Diotima. |
|
|
|
Funerary art of this period more frequently provides
us with tender pictures of the husband, wife, and child. Suetonius,
in his biography of the Emperor Vespasian, notes that, following
the death of his wife, Vespasian again took up with his longtime
mistress, Antonia Caenis, an educated freedwoman, who
"remained his wife in all but name even when he became Emperor."
One senses that the Romans of Cato the Censor's generation
would have found this new tenderness both effeminate and reprehensible.
Yet with the increasing wealth of the Roman
family, a wife's position was beginning to change and her husband
was permitted to show her personal affection:
"Under the old moral code she had been classed among the servants
who were placed in her charge by delegation of her husband's authority.
Under the new code she was raised to the same status as her husband's
friends, and friends played an important role in the social life
of the Greeks and Romans." A History of Private Life,
43. The businesslike pragmatism of early Roman marriages evolved,
eventually, into an approved emotional attachment that was seen
as benefiting both its partners, although its importance in the
life of the family and - critically - children was less sure.
The All-important Child
Children were the great sine qua non
of a Roman's life, particularly in the eyes of women. A woman without
children was treated with pity or contempt: she had not fulfilled
her required personal and patriotic function. Her function, it should
be remembered, must be placed in the context of the ancient world
in which underpopulation, not overpopulation, was the driving
concern. Women died frequently from childbirth; the majority of
children did not survive into early adulthood; constant wars and
campaigns, starvation, drought and disease were constant dangers
removing manpower from the Roman state. The inimitable Cornelia
bore 12 children and buried nine before adulthood; of those
remaining, two (the Gracchi brothers) died before her as adults.
Agrippina the Elder
bore nine children, of whom only four outlived her (and Caligula
died soon thereafter). These were wealthy women, with the best medical
assistance available to them; the mortality rates among poor or
working women would have been higher. From the earliest years of
the Republic, a woman's fertility was in every sense the lifeblood
of Rome's future.
Yet the claims of blood mattered less than the
claims of name. In the face of underpopulation, adoption was an
everyday occurrence which saved innumerable families from extinction.
Bastards in Roman society played almost no social or political role
in well-born families, although they could be tolerated (or adopted)
by the poorer classes. What mattered was the continuation of the
family name both to honor its progenitors and provide for even more
successful future generations and the adoption of similarly well-born
children to replace those fate had removed.
Simply put, a Roman mother's primary duty was
to provide children for the state and to raise them to make the
most of their opportunities. She was the primary inculcator of her
children's values and director of their education. Children were
treated, by modern sensibilities, harshly and were not excused on
the grounds of childish misbehavior. They were seldom taught that
they had the right to (or much chance of) personal happiness in
their marriages or lives, but did learn that serving the family'
needs and elevating its position was all-important. If this seems
severe to current sensibilities, we in turn would have been likely
have been viewed by the Romans as foolishly weak and emotional in
our approach to the all-important requirements of child rearing.
Daughters as well as sons quickly absorbed the fact that their marriages
were important as a family convenience.

Image courtesy of B. McManus,
VROMA.
Mothers apparently continued to correct their
children's behaviors as a lifelong molding process; one thinks of
the Emperor Tiberius who, in the end, moved to Capri in late middle
age rather than endure his mother Livia's interference. Where a
Roman mother loved, she chastened; and the more her pride, frequently,
the greater the chastening process. "Spare the rod and spoil
the child" was a concept familiar to any Roman parent.
Shortly after birth, children were handed over
to wet-nurses (although Galen in the later Empire approved of breast-feeding
for emotional reasons). Wealthier parents tended to turn control
over young children over to household slaves such as nurses or pedagogues
[tutors] until the children reached marriageable age. Children might
see their parents daily at dinner but spent the rest of their young
days apart. In addition, the nuclear family would have been an alien
concept in Rome; family by definition and valuation involved grandparents,
cousins, uncles, and aunts. Frequently children were raised by their
relations, such as the Emperor Vespasian, raised by his paternal
grandmother even though his mother was still alive.
Parents, family, and slaves all shared one concept
in molding the characters of children: self-discipline. "The
cornerstone of every individual character...was the strength to
resist. In theory, the purpose of education was to temper a person's
character while there was still time, so that later, when he or
she was fully grown, the germs of luxury and decadence...could be
successfully warded off...the antidote to self-indulgence was activity..."
A History of Private Life, 16. Although the influence
of Stoicism added much to this imperative, it certainly predated
it in the earliest legends of Rome.
The Unending Authority of Family
Romans were unusual in that, especially in wealthy
families, both daughters and sons shared the equivalent of a grammar
school education, although usually only boys went on to advanced
studied in their early teens. The reason more young girls did not
do advanced study was simply that Romans considered a woman marriageable
by the age of 14 or 15, soon after entering puberty. Both the younger
Agrippina and her mother, as well as Augustus' Julia, were married
before they were 15. Boys tended to marry in their late 'teens or
even early '20's. Therefore parents only had perhaps 15 years to
mold their children into the Romans they were intended to become.
For as long as the father lived, both his daughter and his son were
under his authority, until the daughter married (and sometimes,
not even then if she married sine manus, without transferring
her father's authority to her new husband). Sons remained under
their father's authority as long as he lived, a feature unique to
the Romans. The son could not borrow money or complete many business
transactions without paternal permission; whatever he earned or
inherited, in theory, belonged to his father; and he could be disinherited
at any time up to as much as three-fourths of his father's estate.
Whether these laws were as enforceable in practice as they appear
on the books is another question. The last father on record as killing
his son for disobedience lived in the reign of Augustus and public
opinion was outraged.
Of all crimes, parricide or matricide were viewed
with most societal horror, even exceeding incest. When Sextus Roscius
was defended by Cicero
for the supposed murder of his father, the grim but traditional
penalty he faced was to be beaten, sewn into a leather sack with
a dog, a cock, a viper, and an ape, and the entire clawing menagerie
thrown into the Tiber. Even in the decadence of Nero's reign, his
murder of his mother, the impossible Agrippina the Younger, was
viewed with such horror that it besmirched his reign for all later
historians. "Honor thy father and thy mother" was also
a Roman commandment carved in societal stone, perhaps because in
every generation they were the fountainhead of the only thing that
mattered or endured - the Roman family.
Sources:
A History of Private Life, ed. Paul
Veyne, trans. Arthur Goldhammer, Harvard University Press (Belknap
Press), 1987, 1999.
Funerary bust and monument courtesy
of B. McManus,
VROMA. Image of woman reading in her domus from an 18th century
drawing of Pompeian murals at John Hauser's Pictures
of Pompeii.
|