I started to pitch to hospices. I had been thinking about becoming a hospice volunteer, so I took the training. I found out that what I wanted to do was in line with current thought about grief facilitation. I went forward from there.


Allison: You said you could tell you had what was needed. What sort of things were you picking up on that made you say, “Oh, yeah, I can use this?”


Gail: Good question. I was so drawn to these stories. There are stories from all over the world about people dealing with loss, about the human response to dying, death and grief – things that our culture has been uncomfortable talking about. Like the Buddhist story of the Mustard Seed, about a woman who is loved by her family, who marries and is not rich, but she feels blessed because she has a child. Then sickness comes. Her parents die, her husband dies, her child dies.


And she carries the dead body of that baby. She can’t bear to let go. And she says, “Someone please cure my child.” She goes to Buddha and he says, “Yes, I can cure your child; bring me a handful of mustard seed. I'll fashion a medicine that will restore your child to life.” She turns to go to the village but the Buddha says, “Wait. The mustard seed must come from a house in which no one has died.”


So she goes from house to house and realizes that what has happened to her and her child happens to us all. That kind of story honors what we might call denial, which gets a real bad rap in our culture, but such stories hold it to light because this is a normal human response. This is what grief looks like.



Page  1  2  3  4  Home


 

Gail Rosen: A Storyteller’s Journey

Interview by Allison Cox


This article first appeared in The Museletter, A project of LANES:

The League for the Advancement of New England Storytelling.

Vol. 19, No. 2 – May/June 2007


Storyteller and author Allison Cox speaks with Gail Rosen about her journey as a storyteller, and the amazing people she met along the way.

Allison: Why don’t you talk about how you first came to combine storytelling with healing and end of life care.


Gail: That’s a short story about a love of performing.

The longer, and more interesting, story is about where storytelling took me. When I first started telling, I was fascinated with Jewish folktales. Though I grew up with a Jewish education, I had never heard them! They reconnected me with Judaism. The second group of stories that really pulled at me were stories about life, death, meaning, purpose… what it all means. I didn’t know what to do with those stories because I thought of myself as an entertainer. I had thought, “Oh I’ll do school events, and I’ll do assemblies, women’s events, one woman shows about strong women.”


Allison: Didn’t you get comments from friends and family?


Gail: My mother-in-law, who is one of my best fans, said, “Tell the funny ones; nobody wants to hear those sad stories.” I didn’t know what to do with them. But I knew that somebody must want to hear them because I wanted to hear them. Then one day I got a phone call from a volunteer coordinator for a hospice.


She was having a volunteer appreciation event; she had heard me tell at a PTA function. I looked at the stories I loved, and realized that there was a whole body of stories that they would want to hear. These were people who needed these stories, who could make use of them.

 
Continue to Page 2Interview_Page_2.htmlInterview_Page_2.htmlshapeimage_2_link_0