Leader look to expand ballet
 
 
 
 
 
 
By Hilary Funk
 
 
 
Elie Lazar believes the 50th anniversary of the Montgomery Ballet is a golden opportunity to set the stage for a greater future.
The new artistic director en­visions a time when the ballet can take its professional dance company on more regional tours. He has plans for audition tours that would introduce more residents to the world of dance. And he hopes to expand the season by a month.
The changes have already started. This season, Lazar in­stituted two new events: Lec­tures at the Montgomery Muse­um of Fine Arts and the Tuesday Club at the ballet studio. The events provide the public a chance to observe and interact with the dancers -- at no charge. And during the spring, he plans an audition tour.
"It's an incredible way to in­troduce the city to the world of dance," he said. "This should be about creating pride in Mont­gomery."
Next year, Lazar will length­en the season from 28 weeks to 32 weeks and add performances outside the city of Montgomery. The dance company now per­forms at the Troy University Montgomery's Davis Theater for the Performing Arts and at the Wetumpka Civic Center.
The goal of all his plans is to get more people involved in bal­let, both adults and children. The professional dance compa­ny has 11 members this season.
Ambitious? Yes. But more es­tablished artistic endeavors such as the Alabama Shake­speare Festival grew over time, said Lazar.
"There's no reason why it can't happen with the sympho­ny, or the ballet," he said.
Getting children involved in the ballet can build long-term support, according Lazar, the former artistic director of the Joffrey Ensemble Dancers, a performance group associated with the Joffrey Ballet School in New York. Kids as young as 4 can start ballet classes.
Katie Slawson has four daughters in ballet classes. Su­zanna, 10, and Emma, 9, started when they were 4. Julie Cow­den's 7-year-old daughter, Cath­erine, also started when she was 4.
Most students are girls, said Lazar. Having a male student is rare enough that the ballet of­fers them 50 percent off regular lesson prices.
Mary Jo Scott's 6-year-old son, John, has been dancing for two years. Her 11-year-old daughter has been dancing for five years.
John enjoys the classes, Scott said, particularly because this year he has two other boys in class with him. He got to per­form in "The Nutcracker" over the Christmas holidays.
Scott said ballet has really helped John's coordination. She has seen a difference in the way her son carries himself since he started dancing.
"I can't say enough about Elie Lazar," Scott said. "Espe­cially, with 'The Nutcracker.' He really expected a lot from the kids, and they delivered."
Lazar has 25 years experi­ence teaching ballet to children. Members of the professional dance company also serve as ballet teachers, so the young­sters have the best mentors pos­sible.
"All are inspiring the next generation of dancers, audience members, and even the par­ents," Lazar said of the teaching process. That fits in well with his mission to create more pro­fessional dancers at the Mont­gomery Ballet.
Cowden said the exposure to the company's dancers is a spe­cial treat for her daughter, Cath­erine.
"She enjoys perfecting the technique, and watching the older classes. It's beneficial to see the professionals, for all the children," she said.
MaryKathryn Samelson, 9, has been dancing for two years at Montgomery Ballet.
"She loves it, that her teach­ers are also professionals," said her mother, Suanne.
When MaryKathryn saw her teacher perform as the Snow Queen in "The Nutcracker," she knew it was "Miss Alex" -- Alex­andra Giuffre, who is in her sec­ond season with the ballet.
"Recently, (MaryKathryn) told me that 'The Nutcracker' was the best thing she'd ever done in her whole life," Same­lson said, which underscored how important collaborating with the professional company was to her.
"She does this two days a week. It's her main activity," Samelson said. "I like it because it's physical exercise, and that it's classical ballet. She gets ex­cellent training from the profes­sionals. They don't push them too hard at this age."
Lazar always has a smile on his face, even as he is correcting a professional dancer's misstep. Parents said he maintains high standards while delivering ap­propriate amounts of critique and advice to dancers. He will not settle for mediocrity, but he is quick to applaud progress and hard work.
Parents like the way he ap­proaches his job. Slawson said her four girls would continue dancing for the foreseeable fu­ture.
"They're going to stick with it," she said. "We've tried other things, but this is just some­thing they really love."
 
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