Volume one:
Appreciating the Collect:

An Irenic Methodology
 Documenta Rerum Ecclesiasticarum Instaurata
(Corpus « DREI »)

First series
Liturgiam aestimare : Appreciating the Liturgy

Appreciating the Liturgy
 
 

First aim
Scientific Publication

Series prima:
Liturgiam Aestiamare:
Appreciating the Liturgy

Volumen primum:
Appreciating the Collect:
An Irenic Methodology

Volume editors:
James G. Leachman, Daniel P. McCarthy

CONTENTS

Abbreviations
Acknowledgements
Contributors

Foreword
	Notker Wolf

Editors’ Preface 
	James G. Leachman and Daniel P. McCarthy

History of Collect Studies 
	James G. Leachman

Latin Language of the Collect 
	Reginaldus Thomas Foster 
	with Daniel P. McCarthy

Literary-criticism of the Collect Genre 
	Renato De Zan

The Collect in Context 
	Patrick Regan	

The Collect for the Easter Vigil 
	James G. Leachman

The Collect for Easter Sunday 
	Bridget Nichols

The Collect for Epiphany 
	Anthony Igbekele 

Vocabulary of the Collects: Retrieving a Biblical Heritage 
	Gerard Moore	

Between Memories and Hopes: Anamnesis and Eschatology in Selected Collects 
	Daniel P. McCarthy

Concluding Synthesis	
	Ephrem Carr

List of Participants
Index of Names
Index of Biblical References
Index of Liturgical Sources
Index of Incipits

EDITORS’ PREFACE

We intend and hope that this, the first volume in the series Liturgiam Aestimare : Appreciating the Liturgy, stand in continuity with the developing tradition of liturgical research and renewal. 
First, we see ourselves to be in continuity with Abbot Fernand Cabrol, Dom Marius Férotin and Dom Louis Gougaud of St Michael’s Abbey, Farnborough, whose patient study and publications contributed so much to the liturgical movement and renewal at the beginning of the twentieth century. Second, we see ourselves to be in continuity with Doms Leo Cunibert Mohlberg, Leo Eisenhöfer, Peter Siffrin and Anselm Strittmatter of the former Institutum Liturgicum (1950-1967) at Sant’Anselmo, Rome, who prepared for the liturgical renewal, which would be mandated by the Second Vatican Council, through their corpus of critical editions of ancient liturgical documents published in the corpus Rerum Ecclesiasticarum Documenta (RED). Third, we see ourselves to be in continuity with the methodology developed and used at the Pontifical Institute of Liturgy established by Pope John XXIII at Sant’Anselmo on 15 June 1962.
In the forty years since the publication of the four Constitutions of the Second Vatican Council, naturally the first phase of work was that of producing new editiones typicae, a process that lasted from the establishment of the Consilium until the publication of the Martyrologium Romanum. Since the production of these editions, there has been a second phase of work, that of translating the editiones typicae into the vernacular languages and then of implementing the renewed liturgical books mandated by the Council in their vernacular translations. 
In his essay “Agendas for Liturgical Reform”, first published in America in 19961 and then rewritten in 2004 as, “The Catholicity of the Liturgy: Shaping a New Agenda”,2 Francis M. Mannion helpfully lays out and clearly presents five different paradigms for liturgical renewal, which we present along the following spectrum:

a. Restore the pre-conciliar liturgy (the restoration model).
b. Reform the reform (revisit and change the initial direction of the liturgical reform).
c. Advance the reform (continue the official agenda).
d. Re-catholicize the reform (stop the reform; spiritualize or internalize the liturgy).
e. Inculturate the reform (continue the reform following SC 37-40).

Mannion’s further article on the models or paradigms of liturgical musical style3 also illustrates another balance of emphases between the ‘conventual model’ of liturgy inspired by Dom Guéranger and the Solesmes renewal of monastic music and life in which ministry is professional and the participation of the faithful is primarily visual and auditory; and the ‘participatory or ritual model’ derived from the tradition founded by Dom Lambert Beauduin, wherein participation is seen to be ministerial. 
We have noticed that little attention has been given to the detailed study of the renewed editiones typicae, because the effort shifted to translating and implementing them pastorally. The time is now opportune, we believe, to deepen the academic study and appreciation of the renewed editiones typicae. Accordingly, at the meeting of Societas Liturgica in Palermo, August 2007, we proposed a new model of liturgical renewal, which we call Liturgiam Aestimare : Appreciating the Liturgy, for, to the degree to which we deepen our appreciation of the current liturgical documents, will the Church discern the way forward. 
Thus, we began to develop the project Documenta Rerum Ecclesiasticarum Instaurata, « DREI », which offers a hermeneutical analysis of the liturgical documents renewed (Instaurata) at the behest of the Council, that the Church may further discern the course of liturgical renewal. The « DREI » project employs a new methodology for interpreting liturgical texts that combines the clear and detailed understanding of the Latin language, as taught by Reginaldus Foster OCD, Rome, and the textual hermeneutic of Renato De Zan, a professor of the Pontifical Liturgical Institute, Rome. We have already employed the « DREI » methodology in our paper given at Palermo and in a chapter on the collects of the three scrutinies. 
More specifically, in the article by De Zan cited above, eight keys are presented for interpreting liturgical texts. There, they are arranged according to four dimensions and four foundations.
The four dimensions are:
•	anamnesis
•	epiclesis
•	doxology
•	koinonia

The four foundations are:
•	theandric
•	christological-pneumatological
•	ecclesial 
•	symbolic

Having applied this new method of liturgical study, we have discerned a further interpretative key: Christian maturation by developmental steps. We present this new interpretative key in this and hopefully subsequent volumes, as we continue to investigate further aspects of the truth that, in the course of history, have been forgotten or overlooked, and which we now hope to recover.
We have come to perceive in the euchology a developmental process of Christian maturation. As Cyril of Jerusalem (c. 315-386) says that we are the offspring of that nuptial chamber who come to feast first as infants at the breast on the body and blood of Christ, so we might add that as we are enabled by the recurring and sustaining gift of God’s self to mature first into the freedom of the children of God and then to our full stature as adult daughters and sons of God, we are called once again to enter into the same bridal chamber as spouse and therefore to a new generativity. Thus, we are called to do the work of God, both through full conscious and active participation in the liturgy and through service in the world.
We have learned that in the liturgy those empowered by God, who have already given themselves to be immersed in baptism and received as God’s own, now with the whole church present their offerings as representative of their ongoing self-gift to God and neighbour with the prayer that God receive the gifts, thereby perpetuating the mutual self-gift originally made in baptism and praying both that this exchange of gifts may come to its fruition, and that they may pursue the happiness of mutual self-gift in this life and its fullness with God in the next.
It has been a pleasure to meet and work with this varied and distinguished group of contributors from such different theological and cultural perspectives; and an honour to be able to offer these papers on “Appreciating the Collect: An Irenic Methodology” to a wider audience of those who in study or in celebration wish to deepen their Appreciating the Liturgy. 
	James G. Leachman OSB and Daniel P. McCarthy OSB

CONTRIBUTORS

Fr Ephrem Carr OSB is a monk of St. Meinrad Archabbey, Indiana, and professor of eastern liturgies at the Pontifical Institute of Liturgy and at the Patristic Institute, the Augustinianum, Rome. He is editor of the review Ecclesia Orans and of the series Analecta Liturgica. He serves as consultor for the Liturgical Commission of the Vatican Congregation of Oriental Churches and as moderator of the DREI project and the series Appreciating the Liturgy.


Fr James G. Leachman OSB is a monk of St Benedict’s Abbey, Ealing, London, who teaches and writes at the Pontifical Institute of Liturgy, Rome. He is assistant editor of Ecclesia Orans, co-director of the DREI project and co-editor of the series Liturgiam Aestimare : Appreciating the Liturgy. He writes on the Liturgy of the Church of England and the theology of Rite of Christian Initiation of Adults. He edited the volume The Liturgical Subject: Subject, Subjectivity and the Human Person in Contemporary Liturgical Discussion and Critique. 

Fr Reginaldus Thomas Foster OCD is for 40 years a papal Latinist and professor of the Latin language renowned for his unique pedagogical style and presentation of the living Latin language. His patient and clear understanding of the Latin language provides the standard analysis of the language upon which the methodology of the series Appreciating the Liturgy is founded. 

Fr Anthony Igbekele is a priest of the diocese of Ondo, Nigeria. He completed a Doctorate of Sacred Liturgy at the Pontifical Institute of Liturgy in 2006 writing on: “Eucharist as oblatio and sacrificium in the Latin Fathers”. Apart from his on-going research into patristic eucharistic themes, he is now undertaking a complementary Music course with special focus on composition and counterpoint at the Institute Musica Sacra, Rome.

Fr Daniel P. McCarthy OSB, is a monk of St Benedict’s Abbey, Atchison, Kansas. Having just completed his doctorate at the Pontifical Institute of Liturgy, he now teaches and writes in Rome. He is the author of two series of weekly commentaries published in The Tablet, one on the collects (2006-2007), the other on the prayers over the gifts (2007-2008). He is co-director of the DREI project and co-editor of the series Liturgiam Aestimare : Appreciating the Liturgy.
		
Dr Gerard Moore wrote the seminal doctoral dissertation: Vatican II and the Collects for Ordinary Time: A Study in the Roman Missal (1975). He is assistant professor at the Sydney College of Divinity, Australia, and has just published volume Understanding the General Instruction of the Roman Missal.

Dr Bridget Nichols completed her doctoral studies at Durham University, England, writing on Liturgical Hermeneutics: Interpreting Liturgical Rites in Performance. She is Lay Chaplain to the Bishop of Ely and her publications include Literature in Christian Perspective and contributions to A Companion to Common Worship. Dr. Nichols is the editor of The Collect in the Churches of the Reformation, to be published by SCM.

Fr Patrick Regan OSB was abbot of St. Joseph Abbey, Louisiana, for almost twenty years. He served as President of the Swiss-American Congregation of Benedictines for twelve years. He currently teaches liturgy in the faculties of theology and of the Pontifical Institute of Liturgy both at Sant’Anselmo, Rome. He is co-editor of the series Liturgiam Aestimare : Appreciating the Liturgy, and has contributed many articles to Worship, Collegeville, MN.

Mgr Renato De Zan is the professor of liturgical hermeneutics at the Pontifical Institute of Liturgy, professor of Scripture and liturgy at the Institute of Pastoral Liturgy, Padua, and professor at the seminary of Pordenone, Italy. He is a liturgical consultant for the Italian Bishops’ Conference. His literary-critical hermeneutics, as found in his contribution to this volume, is the standard methodology used in Appreciating the Liturgy.

PURCHASING

St Michael's Abbey
Farnborough, Hampshire, England, GU14 7NQ.

St. Benedict’s Abbey
1020 N 2nd St. 
Atchison, KS 66002, USA

Pauline Multimedia
Via del Mascherino, 94, Rome 
199 Kensington High St, London

WHAT OTHERS SAY ABOUT OUR WORK

Go to the St. Benedict Education Foundation comments on our first book. 
The European Society for Catholic Theology, ET Newsletter (26 February 2009).
DTC [Dom Thomas], “Book Reviews”, Pluscarden Benedictines 147 (2009) 21-23.
Cuthbert Brogan, “Appreciating the Liturgy”, Pluscarden Review (Summer 2008) 23-27.
Association for Latin Liturgy, Newsletter, 134 (Lent 2009) 21.
Liturgy Newsletter, A Quarterly Newsletter Prepared by the Liturgy Office of the Catholic Bishops’ Conference 
        of England and Wales, 8:3 (May 2008) 2.
Philip Gleeson, “Reviews”, New Blackfriars 90 (2009) 618-19.

------------------------------
1. F.M. Mannion, “Agendas for Liturgical Reform”, America 175 (1996) 9-16.
2. F.M. Mannion, “The Catholicity of the Liturgy: Shaping a New Agenda”, Masterworks of God: Essays in Liturgical Theory and Practice, Liturgy Training Publications (Hillenbrand Books), Chicago IL 2004, 202-235.
3.  F.M. Mannion, “Paradigms in American Catholic Liturgical Music”, Masterworks of God: Essays in Liturgical Theory and Practice, Liturgy Training Publications (Hillenbrand Books), Chicago/ Mundelein IL 2004, 116-143.


Email Daniel McCarthyhttp://www.theabbeyshop.com/product_info.php?products_id=1446http://www.theabbeyshop.com/product_info.php?products_id=1446http://www.stbenedictfoundation.org/news/Collect.htmlhttp://www.latin-liturgy.org/newsletters/NL134.pdfhttp://www.latin-liturgy.org/newsletters/NL135-addendum.pdfhttp://www.liturgyoffice.org.uk/Newsletter/Volume8/8-3.pdfhttp://www.liturgyoffice.org.uk/Newsletter/Volume8/8-3.pdfmailto:dmccarthyatchison@mac.com?subject=DREI%20Appreciating%20the%20Collect%20pageshapeimage_4_link_0shapeimage_4_link_1shapeimage_4_link_2shapeimage_4_link_3shapeimage_4_link_4shapeimage_4_link_5shapeimage_4_link_6shapeimage_4_link_7
Sant’Anselmo, the arch over the side entrance to the church from the cloister. the monastic community lines up in front of this mosaic before processing into the church. 

The left side of the arch says: 

Ante Deum stantes non simus corde vagantes : 
“Standing before God let us not be wandering in heart”.

The right side of the arch says: 

Si cor non orat in vanum lingua laborat : 
If the heart does not pray, in vain does the tongue labour.

St. Benedict is pictured in the center dressed as a Roman, in keeping with the tradition that he studied in Rome before fleeing the corruption of the city eventually to found his monastery.


Sant’Anselmo
Pontifical Institute of Liturgyhttp://www.santanselmo.net/http://www.santanselmo.org/ita/facolta/litur/index.htmhttp://www.bsac.ac.uk/DREIseries/DREIindex.htmshapeimage_5_link_0shapeimage_5_link_1