The Paradox of Power
Certain subjects are limited by representing them in either two or three-dimensional art techniques. Spriggs has developed an environment that breaks free from the laws that constrict both two- and three- dimensional materials. The appearance of three-dimensional forms is created by drawing or painting cross-sections of a subject onto multiple layers of transparent film. In this constructed space, he creates visual signs which broaden ways to think about concepts like; deconstruction, symbolism, movement, and the immaterial. In his most recent artwork ‘The Paradox of Power’ the inverted bull is deconstructed, regulated, repressed, and contained to reformulate the symbol of power; an immobilized version or antithesis of power.