During my first semester of junior year at Parsons I became obsessed with the explosion motif. These images represent an exploration into this phenomenon, the act of matter expanding from a central point, dispersing and colliding. During this time I rarely used brushes, and instead chose to harness natural processes to create my paintings. I began to understand how paint of varying viscosities responds when dripped from different heights; how different kinds of paint (enamels, acrylics, oils) react when watered down or thinned with solvent; the possibilities that exists using a heat gun to burn and melt materials; and how wind can be harnessed (air compressor, fans) and used to affect these processes. It became my goal to understand these processes to the point that I could create paintings that seemed devoid of human interaction, but were nevertheless very controlled compositions.
In order to reinforce this concept of controlling the seemingly chaotic processes of nature, I began drawing lines on top of my paintings using rulers, graphs and grids. I would first create a composition with paint and then analytically process the chaos of the paint. This created an interesting dynamic in the paintings, between the natural processes I used to create the initial composition and the analytical grid and line structures I would then implement on top of these compositions, in effect controlling the chaos.
Explosion 27_1 24"x20"
Collected Dust and Metal Shavings, Rubber Cement and Spray Adhesive on Panel
Explosion 27_2 18"x30"
Collected Dust and Metal Shavings, Rubber Cement and Spray Adhesive on Panel
Explosion 27_3 24"x18"
Collected Dust and Metal Shavings, Rubber Cement and Spray Adhesive on Panel
Explosion Study_1 36"x24"
Acrylic and Charcoal on Panel
Explosion Study_2 36"x24"
Acrylic and Charcoal on Panel
Dripping Explosion_1 20"x16"
Acrylic and Charcoal on Panel
Dripping Explosion_2 12"x20"
Acrylic and Charcoal on Panel
Dripping Explosion_3 12"x18"
Acrylic and Charcoal on Panel
Fields of Matter Installation View - Dimensions Variable
Acrylic, Enamel and Collected Metal Shavings on Panel
Fields of Matter (Field Three) 36"x18"
Acrylic, Enamel, and Charcoal on Panel
Fields of Matter (Field Two) 30"x22"
Acrylic, Enamel and Collected Metal Shavings on Panel
Expulsion_001 12"x16"
Acrylic, Charcoal and Rubber Cement on Panel
Expulsion_002 16"x16"
Acrylic, Charcoal and Rubber Cement on Panel
Expulsion_003 12"x24"
Acrylic, Charcoal and Rubber Cement on Panel
Expulsion_004 12"x16"
Acrylic, Charcoal and Rubber Cement on Panel
Exercises in Materiality - 1 40"x40"
Acrylic, Enamel and Rubber Cement on Panel
Exercises in Materiality - 2 40"x40"
Acrylic, Enamel and Rubber Cement on Panel