Rag and Bone
A Journey Through Printmaking
 
 
I was a little apprehensive about printing over this heavily textured background, but my fears were quickly thrown out the window.  As you can see from plate # 2, it printed very smoothly.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
So far so good!  But, would the blue produce a green I could live with?
 
 
 
 
 
 
 
 
 
 
 
                
 
 
 
 
 
I do believe this is going to be just fine.  So, here comes the next one!
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
As you may have noted - this is now on the good paper. It is Echizen Kozo from McClain’s.  And, now for the final block - the sumi.  This is where I will screw up if I haven’t managed to do so already -
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                    Sunrise in the Garden of Mischief.
 
Whew - There are still a few places needing trimming when I print the edition, But I’m pleased with the proofs.
 
Richard asked what we wanted to get out of the class the first day we met.  I said I wanted to improve my cutting and I believe I did that.  This is all shina plywood, again from McClain’s.  Richard had us coat the line plates with Elmer’s, or any white, glue and I believe that helped any chipping off, though I had a few of those, they were mainly my fault and not that of the wood.
 
I hope you enjoyed seeing this print evolve.
 
 
 
So we left off here with a background plate of texture produced by a piece of plastic sheeting cut to fit the image size and adhered with carpet tape.
Saturday, September 1, 2007
More of the Week with Richard
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