1. 61.Kureishi, Hanif,     The Black Album

Again cleverly mining the chaos and contradictions of multicultural, postmodern England, Kureishi (The Buddha of Suburbia) follows the turbulent social and spiritual education of an impressionable young Pakistani at an inferior London college, where he struggles with conflicting personal, familial and cultural allegiances. The year is 1989, and the publication of Salman Rushdie's The Satanic Verses has caused an international controversy. Shahid Hasan has left his bourgeois family in Kent to study in the city. As he falls in with a group of crusading young Muslims whose charismatic leader lives next door, Shahid also becomes deeply involved - both intellectually and sexually - with his liberal, humanistic professor Deedee Osgood, who has assigned him a term paper on the rock icon then known as Prince. Irresolute to the point of spinelessness, Shahid allows his beliefs to vacillate until a violent confrontation erupts. Kureishi insightfully probes issues of faith and individualism against a memorable landscape of urban and academic upheaval. While Shahid's lack of conviction and personal loyalty make him a less than likable protagonist, there is ample fervor in the colorful supporting cast, and the author's wit and considerable narrative talents easily embroil the reader in the novel's unfolding drama. (Publishers Weekly review)


  1. 62.Lahiri, Jhumpa,     The Namesake

Any talk of The Namesake--Jhumpa Lahiri's follow-up to her Pulitzer Prize-winning debut, Interpreter of Maladies--must begin with a name: Gogol Ganguli. Born to an Indian academic and his wife, Gogol is afflicted from birth with a name that is neither Indian nor American nor even really a first name at all. He is given the name by his father who, before he came to America to study at MIT, was almost killed in a train wreck in India. Rescuers caught sight of the volume of Nikolai Gogol's short stories that he held, and hauled him from the train. Ashoke gives his American-born son the name as a kind of placeholder, and the awkward thing sticks. Awkwardness is Gogol's birthright. He grows up a bright American boy, goes to Yale, has pretty girlfriends, becomes a successful architect, but like many second-generation immigrants, he can never quite find his place in the world. There's a lovely section where he dates a wealthy, cultured young Manhattan woman who lives with her charming parents. They fold Gogol into their easy, elegant life, but even here he can find no peace and he breaks off the relationship. His mother finally sets him up on a blind date with the daughter of a Bengali friend, and Gogol thinks he has found his match. Moushumi, like Gogol, is at odds with the Indian-American world she inhabits. She has found, however, a circuitous escape: "At Brown, her rebellion had been academic ... she'd pursued a double major in French. Immersing herself in a third language, a third culture, had been her refuge--she approached French, unlike things American or Indian, without guilt, or misgiving, or expectation of any kind." Lahiri documents these quiet rebellions and random longings with great sensitivity. There's no cleverness or showing-off in The Namesake, just beautifully confident storytelling. Gogol's story is neither comedy nor tragedy; it's simply that ordinary, hard-to-get-down-on-paper commodity: real life. (Amazon.com review)


  1. 63.LeGuin, Ursula,    The Dispossessed

Most of Le Guin's science fiction is set in a human galaxy where the distance of time and space imposed by relativity is mitigated by instantaneous transmission of information through a gadget called the ansible. The Dispossessed was the book in which she told us of Shevek, the ansible's inventor, and the ironies of his career. Shevek is a loyal citizen of a poor anarchist world, Anarres, which finds frills like research hard to afford; he travels to the neighbouring world of Urras, to find that unbridled capitalism is not much fun either. "Nio Esseia, a city of four million souls, lifted its delicate glittering towers across the green marshes of the Estuary as if it were built of mist and sunlight...Was all Nio Esseia this? Huge shining boxes of stone and glass, immense, ornate, enormous packages, empty, empty." At once one of the greatest of SF novels about political ideas and idealism, and a stunning novel of character, The Dispossessed has at its centre Shevek, scientist and near-saint, a flawed human being whom we come to know as we know few characters in modern science fiction. (Amazon.co.uk review)


  1. 64.Leigh, Julia,     The Hunter

The young Australian writer, Julia Leigh, has been hailed as a talent to watch in the 21st century. The Hunter, her first novel, is a strange and haunting story which opens straight onto the world of its protagonist, M: "The mini-bus takes fifteen minutes to arrive in town: "Welcome to Tiger Town" reads a sign by the highway, "Population: 20,000"". Assuming the identity of Martin David, Naturalist, M makes his preparations for a hunt: he, and the reader, will be spending some time in the Tasmanian wilderness in search of the legendary tiger, the thylacine. In crafted, measured and often beautiful prose, Leigh offers her readers glimpses of who M is, or might be, and what he is looking for. There is a hint that the thylacine's genetic material has been "declared capable of winning a thousand wars", a gift to bio-weaponry, but M remains detached: "M does not know, cannot know and does not want to know, but there is no question the race is on to harvest the beast". M's not wanting to know guides the narrative: he is solitary, unconnected, only occasionally giving in to the desires for human and sexual, contact which emerge through M's vague, yet somehow yearning, association with the woman and two children with whom he stays when not out on the hunt. But the feeling centre of the book is anchored elsewhere in the unique connection between M and the tiger, in Leigh's meticulous exploration of the beauty--and terror--of the relation between killer and killed. (Amazon.co.uk review)


  1. 65.Lethem, Jonathan,     The Fortress of Solitude

If there still remains any doubt, this novel confirms Lethem's status as the poet of Brooklyn and of motherless boys. Projected through the prism of race relations, black music and pop art, Lethem's stunning, disturbing and authoritatively observed narrative covers three decades of turbulent events on Dean Street, Brooklyn. When Abraham and Rachel Ebdus arrive there in the early 1970s, they are among the first whites to venture into a mainly black neighborhood that is just beginning to be called Boerum Hill. Abraham is a painter who abandons his craft to construct tiny, virtually indistinguishable movie frames in which nothing happens. Ex-hippie Rachel, a misguided liberal who will soon abandon her family, insists on sending their son, Dylan, to public school, where he stands out like a white flag. Desperately lonely, regularly attacked and abused by the black kids ("yoked," in the parlance), Dylan is saved by his unlikely friendship with his neighbor Mingus Rude, the son of a once-famous black singer, Barnett Rude Jr., who is now into cocaine and rage at the world. The story of Dylan and Mingus, both motherless boys, is one of loyalty and betrayal, and eventually different paths in life. Dylan will become a music journalist, and Mingus, for all his intelligence, kindness, verbal virtuosity and courage, will wind up behind bars. Meanwhile, the plot manages to encompass pop music from punk rock to rap, avant-garde art, graffiti, drug use, gentrification, the New York prison system-and to sing a vibrant, sometimes heartbreaking ballad of Brooklyn throughout. Lethem seems to have devoured the '70s, '80s and '90s-inhaled them whole-and he reproduces them faithfully on the page, in prose as supple as silk and as bright, explosive and illuminating as fireworks. Scary and funny and seriously surreal, the novel hurtles on a trajectory that feels inevitable. By the time Dylan begins to break out of the fortress of solitude that has been his life, readers have shared his pain and understood his dreams. (Publishers Weekly review)


  1. 66.Mantel, Hilary,     Beyond Black

Fans of Mantel's 2003 memoir, Giving Up the Ghost, will recognize aspects of the author in the sympathetic heroine of her tenth book, a darkly funny novel about the odd relationships formed among the living and the dead. Alison Hart, nearing 40, overweight and happily single, is a spiritual seer by trade. She reads palms and tarot cards; in villages throughout England, she performs in front of packed crowds, her stage act a combination of fortune-telling and "communications" with the other side. In an age of celebrity deaths and terrorist attacks, Alison's authentic spiritual gifts are highly prized, but her personal life is in shambles, physically, emotionally, and financially. Help arrives in the form of Colette, a recently divorced, no-nonsense professional, who sees Alison's predicament as an opportunity to reinvent both women's lives. Obstacles to Colette's ambitious plans include nosy neighbors, competing psychics, even adversaries from beyond--especially a gang of menacing thugs from Alison's childhood. A contemporary ghost story told with humor and heart, this novel is sure to conjure up new readers for Mantel. (Booklist review) (see my blog entry here)


  1. 67.Márquez, Gabriel García,     One Hundred Years of Solitude

One of the 20th century's enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world, and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. It is a rich and brilliant chronicle of life and death, and the tragicomedy of humankind. In the noble, ridiculous, beautiful, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America. Love and lust, war and revolution, riches and poverty, youth and senility -- the variety of life, the endlessness of death, the search for peace and truth -- these universal themes dominate the novel. Whether he is describing an affair of passion or the voracity of capitalism and the corruption of government, Gabriel García Márquez always writes with the simplicity, ease, and purity that are the mark of a master. Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an accounting of the history of the human race. (Publisher’s description)


  1. 68.Martel, Yann,     Life of Pi

A fabulous romp through an imagination by turns ecstatic, cunning, despairing and resilient, this novel is an impressive achievement "a story that will make you believe in God," as one character says. The peripatetic Pi (ne the much-taunted Piscine) Patel spends a beguiling boyhood in Pondicherry, India, as the son of a zookeeper. Growing up beside the wild beasts, Pi gathers an encyclopedic knowledge of the animal world. His curious mind also makes the leap from his native Hinduism to Christianity and Islam, all three of which he practices with joyous abandon. In his 16th year, Pi sets sail with his family and some of their menagerie to start a new life in Canada. Halfway to Midway Island, the ship sinks into the Pacific, leaving Pi stranded on a life raft with a hyena, an orangutan, an injured zebra and a 450-pound Bengal tiger named Richard Parker. After the beast dispatches the others, Pi is left to survive for 227 days with his large feline companion on the 26-foot-long raft, using all his knowledge, wits and faith to keep himself alive. The scenes flow together effortlessly, and the sharp observations of the young narrator keep the tale brisk and engaging. Martel's potentially unbelievable plot line soon demolishes the reader's defenses, cleverly set up by events of young Pi's life that almost naturally lead to his biggest ordeal. This richly patterned work, Martel's second novel, won Canada's 2001 Hugh MacLennan Prize for Fiction. In it, Martel displays the clever voice and tremendous storytelling skills of an emerging master. (Publishers Weekly review)


  1. 69.McCarthy, Cormac,     The Road

Cormac McCarthy sets his new novel, The Road, in a post-apocalyptic blight of gray skies that drizzle ash, a world in which all matter of wildlife is extinct, starvation is not only prevalent but nearly all-encompassing, and marauding bands of cannibals roam the environment with pieces of human flesh stuck between their teeth. If this sounds oppressive and dispiriting, it is. McCarthy may have just set to paper the definitive vision of the world after nuclear war, and in this recent age of relentless saber-rattling by the global powers, it's not much of a leap to feel his vision could be not far off the mark nor, sadly, right around the corner. Stealing across this horrific (and that's the only word for it) landscape are an unnamed man and his emaciated son, a boy probably around the age of ten. It is the love the father feels for his son, a love as deep and acute as his grief, that could surprise readers of McCarthy's previous work. McCarthy's Gnostic impressions of mankind have left very little place for love. In fact that greatest love affair in any of his novels, I would argue, occurs between the Billy Parham and the wolf in The Crossing. But here the love of a desperate father for his sickly son transcends all else. McCarthy has always written about the battle between light and darkness; the darkness usually comprises 99.9% of the world, while any illumination is the weak shaft thrown by a penlight running low on batteries. In The Road, those batteries are almost out--the entire world is, quite literally, dying--so the final affirmation of hope in the novel's closing pages is all the more shocking and maybe all the more enduring as the boy takes all of his father's (and McCarthy's) rage at the hopeless folly of man and lays it down, lifting up, in its place, the oddest of all things: faith. (Amazon.com review by Dennis Lehane) (see my blog entry here)


  1. 70.McCarthy, Tom,    Remainder

McCarthy's debut novel, set in London, takes a clever conceit and pumps it up with vibrant prose to such great effect that the narrative's pointlessness is nearly a nonissue. The unnamed narrator, who suffers memory loss as the result of an accident that "involved something falling from the sky," receives an £8.5 million settlement and uses the money to re-enact, with the help of a "facilitator" he hires, things remembered or imagined. He buys an apartment building to replicate one that has come to him in a vision and then populates it with people hired to re-enact, over and over again, the mundane activities he has seen his imaginary neighbors performing. He stages both ordinary acts (the fixing of a punctured tire) and violent ones (shootings and more), each time repeating the events many times and becoming increasingly detached from reality and fascinated by the scenarios his newfound wealth has allowed him to create—even though he professes he doesn't "want to understand them." McCarthy's evocation of the narrator's absorption in his fantasy world as it cascades out of control is brilliant all the way through the abrupt climax. (Publishers Weekly review)


  1. 71.McEwan, Ian,    Enduring Love

On a windy spring day in the Chilterns, the calm, organized life of science writer Joe Rose is shattered when he witnesses a tragic accident: a hot-air balloon with a boy trapped in its basket is being tossed by the wind, and in the attempt to save the child, a man is killed. A stranger named Jed Parry joins Rose in helping to bring the balloon to safety. But unknown to Rose, something passes between Parry and himself on that day--something that gives birth to an obsession in Parry so powerful that it will test the limits of Rose's beloved rationalism, threaten the love of his wife, Clarissa, and drive him to the brink of murder and madness. Brilliant and compassionate, this is a novel of love, faith, and suspense, and of how life can change in an instant. (Publisher’s description)


  1. 72.Mistry, Rohinton,     Such a Long Journey


Mistry, Bombay-born author of Swimming Lessons and Other Stories from Firozsha Baag, serves up an exotic feast with this novel. The year is 1971, and India is ready to pursue a war against Pakistan over the region that will become Bangladesh. This chaotic period is seen through the eyes of one Gustad Noble, a family man and Parsi bank clerk in Bombay. Gustad's fortunes have begun to change for the worse, with disappointments and bad luck sweeping through his previously secure way of life. When an old friend secretly recruits him to assist in a seemingly heroic mission under the aegis of Indira Gandhi's CIA-like operatives, he becomes enmeshed in a series of dangerous events, with tragic results. Mistry's prose displays the lightest of witty touches, and the narrative is often quite funny, particularly when it invites us inside the minds of the knowable, likable, somehow familiar men and women whose activities propel the plot. A writer of enormous range and shrewdness, Mistry delivers no manifesto, but an intelligent portrait of the corrupt aspects of Indira Gandhi's years in power. Throughout his byzantine scenario, he demonstrates empathy for and deep understanding of his characters. His novel evokes Rushdie in its denser, florid moments, and T. Coraghessan Boyle in its more madcap flights. (Publishers Weekly review)


  1. 73.Mitchell, David,     Cloud Atlas

Mitchell's virtuosic novel presents six narratives that evoke an array of genres, from Melvillean high-seas drama to California noir and dystopian fantasy. There is a naïve clerk on a nineteenth-century Polynesian voyage; an aspiring composer who insinuates himself into the home of a syphilitic genius; a journalist investigating a nuclear plant; a publisher with a dangerous best-seller on his hands; and a cloned human being created for slave labor. These five stories are bisected and arranged around a sixth, the oral history of a post-apocalyptic island, which forms the heart of the novel. Only after this do the second halves of the stories fall into place, pulling the novel's themes into focus: the ease with which one group enslaves another, and the constant rewriting of the past by those who control the present. Against such forces, Mitchell's characters reveal a quiet tenacity. When the clerk is told that his life amounts to "no more than one drop in a limitless ocean," he asks, "Yet what is any ocean but a multitude of drops?" (The New Yorker review)


  1. 74.Mo, Timothy,     An Insular Possession

In the early 1800s, the Chinese Empire became a reluctant host to a variety of Canton-based Occidental trading companies, eager to relieve it of tea and silver. In exchange, England soothed the Chinese with vast quantities of Indian opium, a practice much deplored but soon to be emulated by their American competitors. In Mo's third novel (after The Monkey King and Sour Sweet, two young Americans, Walter Eastman and Gideon Chase, resolve to expose this and other abuses by leaving their trading company to start a newspaper. They are soon embroiled, as observers and participants, in a series of skirmishes later known as the Opium Wars, until a final Chinese victory relegates all traders to that unsettled territory, Hong Kong. This hefty work covers eight years of history: readers may feel that it takes as much time to absorb it. All manner of arcane information, correspondence, news clippings, characters and events are knit together by chronology alone, in an apparently deliberate attempt to recreate the tenor of those times. Possibly more attuned to British readers (it was shortlisted for the Booker Prize), the book informs rather than excites and seems to echo one character's view of the world: "It is untidy, there are no reasons, the final sum never balances." (Publishers Weekly review)


  1. 75.Morrison, Toni,    Sula

Two girls who grow up to become women. Two friends who become something worse than enemies. In this brilliantly imagined novel, Toni Morrison tells the story of Nel Wright and Sula Peace, who meet as children in the small town of Medallion, Ohio. Their devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life. (Publisher’s description)


  1. 76.Murakami, Haruki,     The Wind-Up Bird Chronicle

Bad things come in threes for Toru Okada. He loses his job, his cat disappears, and then his wife fails to return from work. His search for his wife (and his cat) introduces him to a bizarre collection of characters, including two psychic sisters, a possibly unbalanced teenager, an old soldier who witnessed the massacres on the Chinese mainland at the beginning of the Second World War, and a very shady politician. Haruki Murakami is a master of subtly disturbing prose. Mundane events throb with menace, while the bizarre is accepted without comment. Meaning always seems to be just out of reach, for the reader as well as for the characters, yet one is drawn inexorably into a mystery that may have no solution. The Wind-Up Bird Chronicle is an extended meditation on themes that appear throughout Murakami's earlier work. The tropes of popular culture, movies, music, detective stories, combine to create a work that explores both the surface and the hidden depths of Japanese society at the end of the 20th century. If it were possible to isolate one theme in The Wind-Up Bird Chronicle, that theme would be responsibility. The atrocities committed by the Japanese army in China keep rising to the surface like a repressed memory, and Toru Okada himself is compelled by events to take responsibility for his actions and struggle with his essentially passive nature. If Toru is supposed to be a Japanese Everyman, steeped as he is in Western popular culture and ignorant of the secret history of his own nation, this novel paints a bleak picture. Like the winding up of the titular bird, Murakami slowly twists the gossamer threads of his story into something of considerable weight. (Amazon.com review)


  1. 77.O’Brien, Tim,     The Things They Carried

A finalist for both the 1990 Pulitzer Prize and the National Book Critics Circle Award, The Things They Carried marks a subtle but definitive line of demarcation between Tim O'Brien's earlier works about Vietnam, the memoir If I Die in a Combat Zone and the fictional Going After Cacciato, and this sly, almost hallucinatory book that is neither memoir nor novel nor collection of short stories but rather an artful combination of all three. Vietnam is still O'Brien's theme, but in this book he seems less interested in the war itself than in the myriad different perspectives from which he depicts it. Whereas Going After Cacciato played with reality, The Things They Carried plays with truth. The narrator of most of these stories is "Tim"; yet O'Brien freely admits that many of the events he chronicles in this collection never really happened. He never killed a man as "Tim" does in "The Man I Killed," and unlike Tim in "Ambush," he has no daughter named Kathleen. But just because a thing never happened doesn't make it any less true. In "On the Rainy River," the character Tim O'Brien responds to his draft notice by driving north, to the Canadian border where he spends six days in a deserted lodge in the company of an old man named Elroy while he wrestles with the choice between dodging the draft or going to war. The real Tim O'Brien never drove north, never found himself in a fishing boat 20 yards off the Canadian shore with a decision to make. The real Tim O'Brien quietly boarded the bus to Sioux Falls and was inducted into the United States Army. But the truth of "On the Rainy River" lies not in facts but in the genuineness of the experience it depicts: both Tims went to a war they didn't believe in; both considered themselves cowards for doing so. Every story in The Things They Carried speaks another truth that Tim O'Brien learned in Vietnam; it is this blurred line between truth and reality, fact and fiction, that makes his book unforgettable. (Amazon.com review)


  1. 78.Okri, Ben,     The Famished Road

You have never read a novel like this one. Winner of the 1991 Booker Prize for fiction, The Famished Road tells the story of Azaro, a spirit-child. Though spirit-children rarely stay long in the painful world of the living, when Azaro is born he chooses to fight death: "I wanted," he says, "to make happy the bruised face of the woman who would become my mother." Survival in his chaotic African village is a struggle, though. Azaro and his family must contend with hunger, disease, and violence, as well as the boy's spirit-companions, who are constantly trying to trick him back into their world. Okri fills his tale with unforgettable images and characters: the bereaved policeman and his wife, who try to adopt Azaro and dress him in their dead son's clothes; the photographer who documents life in the village and displays his pictures in a cabinet by the roadside; Madame Koto, "plump as a mighty fruit," who runs the local bar; the King of the Road, who gets hungrier the more he eats. At the heart of this hypnotic novel are the mysteries of love and human survival. "It is more difficult to love than to die," says Azaro's father, and indeed, it is love that brings real sharpness to suffering here. As the story moves toward its climax, Azaro must face the consequences of choosing to live, of choosing to walk the road of hunger rather than return to the benign land of spirits. The Famished Road is worth reading for its last line alone, which must be one of the most devastating endings in contemporary literature (but don't skip ahead). (Amazon.com review)


  1. 79.Ondaatje, Michael,    The English Patient

Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen. A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. (Amazon.com review)


  1. 80.Perez-Reverte, Arturo,     The Club Dumas

Fallen angels, satanic manuals, and a passion for the works of Raphael Sabatini and Alexandre Dumas among others--this is the stuff of Spanish author Arturo Pérez-Reverte's engrossing novel The Club Dumas. Set in a world of antiquarian booksellers where dealers would gladly betray their own mothers to get their hands on a rare volume, The Club Dumas is a thinking person's thriller: in addition to a riveting plot, the book is full of intriguing details that range from the working habits of Alexandre Dumas to how one might go about forging a 17th-century text. Woven through these meditations is enough murder, sex, and the occult to keep both the hero, Lucas Corso, and the reader hopping. As in his previous novel, The Flanders Panel, set in the world of art restoration, Mr. Pérez-Reverte has written a literary thriller to tease both the intellect and adrenaline gland. Lucas Corso makes a complex, ultimately sympathetic hero, and there's plenty to delight in the intricate twists and turns the story takes before the mystery of The Club Dumas is finally solved. (Amazon.com review)


Previous Page / Next Page