The following is a list of 100 books by living authors that I have read and highly recommend. I wanted to put together a list of ‘modern classics’, and having the criterion of a living author is a way to impose some currency while at the same time allowing for a certain breadth. Of course, this leaves out plenty of great authors who have unfortunately passed on, whether recently (Saul Bellow) or centuries ago (Laurence Sterne), but maybe I’ll make a separate list for them. This list will evolve over the years and is in no way fixed.


The first twenty titles are below. See the remaining titles here:


21-40, 41-60, 61-80, 81-100


  1. 1.Achebe, Chinua,    Things Fall Apart

One of Chinua Achebe's many achievements in his acclaimed first novel, Things Fall Apart, is his relentlessly unsentimental rendering of Nigerian tribal life before and after the coming of colonialism. First published in 1958, just two years before Nigeria declared independence from Great Britain, the book eschews the obvious temptation of depicting pre-colonial life as a kind of Eden. Instead, Achebe sketches a world in which violence, war, and suffering exist, but are balanced by a strong sense of tradition, ritual, and social coherence. (Amazon.com review)


  1. 2.Adair, Gilbert,    A Closed Book

Gilbert Adair previously won the Scott-Moncrieff prize for his extraordinary translation of the late Georges Perec's A Void--a novel composed without the letter "e"-- and some of that author's wit, allusiveness and self- conscious artistry find their way into Adair's new book, transmuted into something altogether more sinister. This is a powerful psychological thriller, well-paced, energetic (and occasionally very funny) but it also incorporates some subtle philosophical and literary questions into its narrative: How far can we believe what we read (or hear) and how does a reader's trust in a writer's fictional world equate with the trust required in allowing someone to interpret the world for us? See for yourself. (Amazon.co.uk review)


  1. 3.Adichie, Chimamanda Ngozi,     Purple Hibiscus

Purple Hibiscus, Nigerian-born writer Chimamanda Ngozi Adichie's debut, begins like many novels set in regions considered exotic by the western reader: the politics, climate, social customs, and, above all, food of Nigeria (balls of fufu rolled between the fingers, okpa bought from roadside vendors) unfold like the purple hibiscus of the title, rare and fascinating. But within a few pages, these details, however vividly rendered, melt into the background of a larger, more compelling story of a joyless family. Fifteen-year-old Kambili is the dutiful and self-effacing daughter of a rich man, a religious fanatic and domestic tyrant whose public image is of a politically courageous newspaper publisher and philanthropist. No one in Papa's ancestral village, where he is titled "Omelora" (One Who Does For the Community), knows why Kambili¹s brother cannot move one of his fingers, nor why her mother keeps losing her pregnancies. When a widowed aunt takes an interest in Kambili, her family begins to unravel and re-form itself in unpredictable ways. (Amazon.com review)


  1. 4.Amis, Martin,     Time’s Arrow

Amis attempts here to write a path into and through the inverted morality of the Nazis: how can a writer tell about something that's fundamentally unspeakable? Amis' solution is a deft literary conceit of narrative inversion. He puts two separate consciousnesses into the person of one man, ex-Nazi doctor Tod T. Friendly. One identity wakes at the moment of Friendly's death and runs backwards in time, like a movie played in reverse, (e.g., factory smokestacks scrub the air clean,) unaware of the terrible past he approaches. The "normal" consciousness runs in time's regular direction, fleeing his ignominious history. (Amazon.com review)


  1. 5.Atkinson, Kate,     Emotionally Weird

Readers who survive the first 20 pages of this dense and playful novel, with its three different openings, constant jokes, and crowded cast of characters, will find themselves rewarded with a leisurely postmodern romp through the student ferment and bodily indulgences of the early 1970s. Although the publisher has called Emotionally Weird a comic novel, it is essentially unclassifiable, both further-reaching and less "meaningful" than it first appears. Kate Atkinson's book begins with chapter 1 of a bad murder mystery being written by Effie Andrews for a creative-writing course at the University of Dundee in 1972. But the action soon shifts to a wintry island in the Hebrides, where Effie is trying to elicit the story of her parentage from her single mother, Nora, while spinning a humorous first-person narrative of her college life. Only near the end of the book does she finally wrench the story from her mother: Effie's bizarre origins; the identity of her father; and the whole unlikely tale of her mother's family. (Amazon.com review)


  1. 6.Atwood, Margaret,     The Blind Assassin

The Blind Assassin is a tale of two sisters, one of whom dies under ambiguous circumstances in the opening pages. The survivor, Iris Chase Griffen, initially seems a little cold-blooded about this death in the family. But as Margaret Atwood's most ambitious work unfolds--a tricky process, in fact, with several nested narratives and even an entire novel-within-a-novel--we're reminded of just how complicated the familial game of hide-and-seek can be: “What had she been thinking of as the car sailed off the bridge, then hung suspended in the afternoon sunlight, glinting like a dragonfly, for that one instant of held breath before the plummet? Of Alex, of Richard, of bad faith, of our father and his wreckage; of God, perhaps, and her fatal, triangular bargain.” Meanwhile, Atwood immediately launches into an excerpt from Laura Chase's novel, The Blind Assassin, posthumously published in 1947. In this double-decker concoction, a wealthy woman dabbles in blue-collar passion, even as her lover regales her with a series of science-fictional parables. Complicated? You bet. But the author puts all this variegation to good use, taking expert measure of our capacity for self-delusion and complicity, not to mention desolation. (Amazon.com review)


  1. 7.Auster, Paul,     The New York Trilogy

The New York Trilogy is an astonishing and original book: three cleverly interconnected novels that exploit the elements of standard detective fiction and achieve a new genre that is all the more gripping for its starkness. In each story the search for clues leads to remarkable coincidences in the universe as the simple act of trailing a man ultimately becomes a startling investigation of what it means to be human. Auster's book is modern fiction at its finest: bold, arresting and unputdownable. (Publisher’s description)


  1. 8.Banville, John,     The Sea

Max Morden has reached a crossroads in his life, and is trying hard to deal with several disturbing things. A recent loss is still taking its toll on him, and a trauma in his past is similarly proving hard to deal with. He decides that he will return to a town on the coast at which he spent a memorable holiday when a boy. His memory of that time devolves on the charismatic Grace family, particularly the seductive twins Myles and Chloe. In a very short time, Max found himself drawn into a strange relationship with them, and pursuant events left their mark on him for the rest of his life. But will he be able to exorcise those memories of the past? The fashion in which John Banville draws the reader into this hypnotic and disturbing world is non pareil, and the very complex relationships between his brilliantly delineated cast of characters are orchestrated with a master’s skill.  (Amazon.com review)


  1. 9.Barker, Nicola,     Darkmans

There isn't much plot to Barker's Man Booker-shortlisted novel (after Clear and Behindlings), but a cast of eccentric characters, a torrent of inventive prose and an irresistible synthesis of wickedly humorous and unsettlingly supernatural elements more than compensate for the loose itinerary. The novel is set in a contemporaneous British district bisected by the arrival of the Channel Tunnel's international passenger station, a sore point for one of the central characters, cranky 61-year-old Daniel Beede, distraught at the loss of local landmarks. Beede is estranged from his prescription drug-dealing son Kane, though they share a flat, where Gaffar, a muscular Kurdish refugee with a rabid fear of salad greens, takes up residence. Beede is friends with Elen, a podiatrist, and with Isidore, Elen's paranoid and narcoleptic husband; their young son Fleet is a spooky prodigy who, in one of this intricate tale's several instances of mind-bending nuttiness, may actually be Isidore's ancestor from nine generations ago. This improbable premise is supported by the boy's propensity for quoting bits of the biography of King Edward IV's court jester, one John Scogin, the dark man who haunts the book. Despite the story's plotless sprawl, any reader open to the appeal of an ambitious author's kaleidoscopic imagination will relish this bravura accomplishment. (Publishers Weekly review)


  1. 10.Barker, Pat,     The Regeneration Trilogy

Pat Barker's work never makes comfortable reading, for she chooses to explore, with an unflinching eye, controversial, often taboo subjects such as prostitution, homosexuality, child rape, mental illness, pacifism, war, and murder by minors. Many readers come to Barker's work through her best-known books, the Regeneration (1991-1995) trilogy, the third book of which won the Booker Prize in 1995. There is no doubt that Regeneration, with its attention to historical detail and skilful blending of factual and fictional characters is her most subtle and satisfying work. These novels have often been criticised as horrific, brutal, even brutish, yet only by getting close to the base, shocking, palpable detail of the First World War and the mental, as well as physical distress caused by close proximity to danger and death, can we better understand it. (contemporarywriters.com critical perspective)


  1. 11.Barnes, Julian,     The History of the World in 10 1/2 Chapters

A revisionist view of Noah's Ark, told by the stowaway woodworm. A chilling account of terrorists hijacking a cruise ship. A court case in 16th-century France in which the woodworm stand accused. A desperate woman's attempt to escape radioactive fallout on a raft. An acute analysis of Gericault's "Scene of Shipwreck." The search of a 19th-century Englishwoman and of a contemporary American astronaut for Noah's Ark. An actor's increasingly desperate letters to his silent lover. A thoughtful meditation on the novelist's responsibility regarding love. These and other stories make up Barnes's witty and sometimes acerbic retelling of the history of the world. The stories are connected, if only tangentially, which is precisely Barnes's point: historians may tell us that "there was a pattern," but history is "just voices echoing in the dark; . . . strange links, impertinent connections." Fascinating reading from the author of Flaubert's Parrot , but not for those wanting conventional plot. (Library Journal review)


  1. 12.Barry, Sebastian,     A Long Long Way

Willie Dunne is born in a storm during the "dying days" of Ireland. It is not an auspicious beginning. This novel of Ireland and World War I wears a cloak of gloom and doom as thick as the opening storm. Willie's mother dies young. Willie enlists in the army and fights on the Western Front. Willie's sweetheart marries another, and so on. The wartime scenes are brutally realistic. Throughout this dark novel, though, are glimpses of sweetness and light, such as a scene where Willie's father bathes the returning soldier in an attempt to rid him of lice. Those not familiar with British-Irish history may find some of the personal conflicts and politics in the novel confusing, but nevertheless a compellingly sad, if difficult, read. (Booklist review)


  1. 13.Barth, John,     The Last Voyage of Somebody the Sailor

Just when you may have concluded, like Queen Scheherazade's husband, that you've "heard them all," Barth ( The Tidewater Tales ) proves again how original and entertaining he is. Like many of the author's previous works, his latest blends fantasy, mythology, existentialist wit, bawdy humor and metafictional conceits. But though his opening words declare, "The machinery's rusty," the new novel is a testament both to Barth's undiminished generative powers and to his maturity of vision. In the elaborate plot, a "fifty-plus," "once-sort-of-famous" New Journalist named Simon William Behler is mysteriously transported to the medieval Baghdad of Sindbad the Sailor. Behler--known variously as "Somebody the Sailor," "Baylor" and "Sayyid Bey el-Loor," falls in love with Sindbad's daughter Yasmin and gets enmeshed in Arabian intrigues. The intrigues revolve around such nagging questions as the intactness of Yasmin's virginity, the veracity of Sindbad's tall tales and the whereabouts of a wristwatch Behler needs in order to return home. All this is dealt with in the course of six evenings of storytelling at Sindbad's dinner table. Barth creates whole and engaging characters with his usual wealth of wordplay, allusion and satire. But the novel's greatest achievement is how it connects the conventionally realistic story of Behler's 20th-century life with the outsize and metaphorical world of Sindbad, reflecting in the process on the nature of stories, dreams, voyages and death. (Publishers Weekly review)


  1. 14.Byatt, A.S.,     Possession: A Romance

"Literary critics make natural detectives," says Maud Bailey, heroine of a mystery where the clues lurk in university libraries, old letters, and dusty journals. Together with Roland Michell, a fellow academic and accidental sleuth, Maud discovers a love affair between the two Victorian writers the pair has dedicated their lives to studying: Randolph Ash, a literary great long assumed to be a devoted and faithful husband, and Christabel La Motte, a lesser-known "fairy poetess" and chaste spinster. At first, Roland and Maud's discovery threatens only to alter the direction of their research, but as they unearth the truth about the long-forgotten romance, their involvement becomes increasingly urgent and personal. Desperately concealing their purpose from competing researchers, they embark on a journey that pulls each of them from solitude and loneliness, challenges the most basic assumptions they hold about themselves, and uncovers their unique entitlement to the secret of Ash and La Motte's passion. Winner of the 1990 Booker Prize--the U.K.'s highest literary award--Possession is a gripping and compulsively readable novel. A.S. Byatt exquisitely renders a setting rich in detail and texture. Her lush imagery weaves together the dual worlds that appear throughout the novel--the worlds of the mind and the senses, of male and female, of darkness and light, of truth and imagination--into an enchanted and unforgettable tale of love and intrigue. (Amazon.com review)


  1. 15.Carey, Peter,     My Life as a Fake

Carey, who won the Man Booker Prize for his True History of the Kelly Gang, takes another strange but much less well-known episode in Australian history as the basis for this hypnotic novel of personal and artistic obsession. He tells it through the eyes of Lady Sarah Wode-Douglass, editor of a struggling but prestigious London poetry journal, who one day in the early 1970s finds herself accompanying an old family friend, poet and novelist John Slater, out to Malaysia. There they encounter an eccentric Australian expatriate, Christopher Chubb, who concocted, Slater says, a huge literary hoax in Australia just after the war, creating an imaginary genius poet, Bob McCorkle, whose publication by a little magazine led to the suicide of the magazine's editor. Now Chubb offers Lady Sarah a page of poetry that shows undoubted genius and claims it is from a book in his possession. The tale is a tour de force, with a positively Graham Greene-ish relish in the seamy side of the tropics, a mix of literary detective story and murderous nightmare that is piquantly hair-raising. And just when it seems that Carey's story is his greatest fantastic creation to date, he lets on that the hoax at the heart of it actually took place in Melbourne in 1946. As so often before, this extravagantly gifted writer has created something bewilderingly original and powerful. (Publishers Weekly review) (see my review at The Modern Word)


  1. 16.Chabon, Michael,     The Amazing Adventures of Kavalier and Clay

Virtuoso Chabon takes intense delight in the practice of his art, and never has his joy been more palpable than in this funny and profound tale of exile, love, and magic. In his last novel, The Wonder Boys (1995), Chabon explored the shadow side of literary aspirations. Here he revels in the crass yet inventive and comforting world of comic-book superheroes, those masked men with mysterious powers who were born in the wake of the Great Depression and who carried their fans through the horrors of war with the guarantee that good always triumphs over evil. In a luxuriant narrative that is jubilant and purposeful, graceful and complex, hilarious and enrapturing, Chabon chronicles the fantastic adventures of two Jewish cousins, one American, one Czech. It's 1939 and Brooklynite Sammy Klayman dreams of making it big in the nascent world of comic books. Joseph Kavalier has never seen a comic book, but he is an accomplished artist versed in the "autoliberation" techniques of his hero, Harry Houdini. He effects a great (and surreal) escape from the Nazis, arrives in New York, and joins forces with Sammy. They rapidly create the Escapist, the first of many superheroes emblematic of their temperaments and predicaments, and attain phenomenal success. But Joe, tormented by guilt and grief for his lost family, abruptly joins the navy, abandoning Sammy, their work, and his lover. As Chabon--equally adept at atmosphere, action, dialogue, and cultural commentary--whips up wildly imaginative escapades punctuated by schtick that rivals the best of Jewish comedians, he plumbs the depths of the human heart and celebrates the healing properties of escapism and the "genuine magic of art" with exuberance and wisdom. (Booklist review)


  1. 17.Chandra, Vikram,     Red Earth and Pouring Rain

Setting 18th- and 19th-century Mogul India against the open highways of contemporary America and fusing Indian myth, Hindu gods, magic and mundane reality, this intricate first novel is a magnificent epic that welds the exfoliating storytelling style of A Thousand and One Nights to modernist fictional technique. Abhay, an Indian college student studying in the U.S. but home on vacation in Bombay, shoots a scavenging monkey; the dying creature reveals itself to be the reincarnation of Sanjay Parasher, a fiery, iconoclastic 19th-century poet and freedom-fighter against British rule. To remain alive, the monkey strikes a deal with the gods: he must keep Abhay's family entertained each day by telling stories of his former lives. Around this fanciful premise, Indian novelist Chandra has built a powerful, moving saga that explores colonialism, death and suffering, ephemeral pleasure and the search for the meaning of life. Through the monkey's tales, we learn of Sanjay's lethal estrangement from his best friend, Sikander, an Anglo-Indian warrior who serves the British; of the suicide of Sikander's mother, Janvi, who throws herself on a funeral pyre after her English husband gives away their daughters to missionaries; of Sanjay's avenging showdown in London with Dr. Paul Sarthey, renowned orientalist and murderous imperialist. Abhay also narrates his own sprawling tale about his drive across the U.S. with two alienated fellow students, providing a dramatic contrast between America's throwaway pop culture and India's ancient, venerated ways, bound up with the concepts of dharma (right conduct), karma and reincarnation. This is an astonishing and brilliant debut. (Publishers Weekly review)


  1. 18.Chevalier, Tracy,     Girl with a Pearl Earring

Set in 17th-century Delft, this historical novel intertwines the art of Johannes Vermeer with his life and that of a maiden servant in his household. From the few facts known about the artist, Chevalier creates the reality of the Netherlands. The parallel themes of tradesman/artist, Protestant/Catholic, and master/servant are intricately woven into the fabric of the tale. The painters of the day spent long hours in the studio, devising and painting re-creations of everyday life. The thrust of the story is seen through the eyes of Griet, the daughter of a Delft tile maker who lost his sight and, with it, the ability to support his family. Griet's fate is to be hired out as a servant to the Vermeer household. She has a wonderful sense of color, composition, and orderliness that the painter Vermeer recognizes. And, slowly, Vermeer entrusts much of the labor of creating the colored paints to Griet.. Highly recommended. (Library Journal review)


  1. 19.Clarke, Susanna,    Jonathan Strange & Mr Norrell

It's 1808 and that Corsican upstart Napoleon is battering the English army and navy. Enter Mr. Norrell, a fusty but ambitious scholar from the Yorkshire countryside and the first practical magician in hundreds of years. What better way to demonstrate his revival of British magic than to change the course of the Napoleonic wars? Susanna Clarke's ingenious first novel, Jonathan Strange & Mr. Norrell, has a cleverness and lightness of touch, but is less a fairy tale of good versus evil than a fantastic comedy of manners, complete with elaborate false footnotes, occasional period spellings, and a dense, lively mythology teeming beneath the narrative. Mr. Norrell moves to London to establish his influence in government circles, devising such powerful illusions as an 11-day blockade of French ports by English ships fabricated from rainwater. But however skillful his magic, his vanity provides an Achilles heel, and the differing ambitions of his more glamorous apprentice, Jonathan Strange, threaten to topple all that Mr. Norrell has achieved. A sparkling debut from Susanna Clarke--and it's not all fairy dust. (Amazon.com review)


  1. 20.Coetzee, J.M.,     Disgrace

Middle-aged professor David Lurie shuffles numbly through the shifting landscape of post-apartheid South Africa. After he gets fired for sleeping with one of his students--and refusing to express remorse--Lurie finds shelter with his grown daughter and is exposed to a social reality that threatens more than his own sense of security. Winner of the Booker Prize, Coetzee's eighth novel employs spare, compelling prose to explore subtly the stuttering steps one man takes in a new world. (Library Journal review)


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